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179 articles

Nic Jones

Nic Jones hasn't been the same since he first heard the Art Ensemble Of Chicago and Anthony Braxton's quartet with Kenny Wheeler around 40 years ago. He lives in Oxfordshire, quietly and curiously.

Bobby Watson: Appointment In Milano

One of Blakey's last altoists showed his musicality and good taste in company with a sympathetic Italian trio in Italy in 1985

Ron Caines / Martin Archer Axis: Blutopia

In a largely avant-garde setting, one player, drummer Johnny Hunter, hints at something close to a rarefied strain of swing

Dara Starr Tucker: Dara Starr Tucker

The American singer's soulful but undemonstrative style conveys a sincerity that might find her a place in today's saturated jazz scene

Trevor Tomkins’ Sextant: For Future Reference

Previously unreleased music from the late British drummer, effectively his leader debut, features Jimmy Hastings, John Horler and Phil Lee
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Rex Stewart: Trumpet In Spades

While inevitably influenced by Armstrong, the trumpeter quietly carved out his own style, heard here in a selection from 1930-1959

Pat Healy: Sings Just Before Dawn

Fresh Sound brings another briefly prominent but high-quality singer back to our attention, simultaneously shining light on early Paul Bley

Jacob Anderskov: Emerald

Sextet including cello and viola produces music of brooding intensity that reminds on occasion of the Spontaneous Music Ensemble

Danielle Wertz: Other Side

NYC-based singer produces an album of intense, dreamlike music coloured with jazz solos recalling players from Adderley to Metheny
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Lizzie Thomas: Duo Encounters

NYC singer reinvents standards in a series of duets with Ron Carter, Rossano Sportiello, Russell Malone, Wayne Escoffery and others

Bill Evans: Treasures

The pianist is heard in solo, trio and orchestral formats in previously unreleased recordings held by Danish producer Ole Matthiessen

Walter Smith III: Back To Casual

Restrained album from the saxophonist includes an interpretation of Kate Bush that deftly avoids descending into aural wallpaper

Giorgio Gomelsky ‘For Your Love’

Appreciation of the impresario is short on jazz detail but shows the gulf between the 60s and the culturally superficial, shallow present
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