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Simon Adams

Simon Adams was born in Bristol and brought up in the home counties. He studied history and politics at London and Bristol universities before starting work in publishing, first as an advertising copywriter and designer and then as an editor. After some years hating middle management, he went freelance, writing more than 80 non-fiction books for children on subjects as varied as the Titanic, World War I, and Afghanistan. His first jazz review was published in Jazz Journal in November 1982 and he continued to contribute to the magazine regularly, as well as writing for Richard’s Cook’s Jazz Review. A consultant and contributor to both editions of The New Grove Dictionary of Jazz, he also wrote a best-selling guide to jazz.

Reviewed: Laura Jurd & Paul Dunmall | Loz Speyer’s Inner Space | Lucian Ban & Mat Maneri | Trygve Seim & Frode Haltli |...

Laura Jurd & Paul Dunmall: Fanfares & Freedoms (Discus 181CD) Paul Dunmall is enjoying something of a renaissance at the moment, this adventurous live set...

Meshell Ndegeocello: No More Water – The Gospel of James Baldwin

The American bassist and singer sets the work of writer and activist James Baldwin as spoken word, song and church service

Nicole Mitchell & Ballaké Sissoko: Bamako*Chicago Sound System

US flautist and Malian kora player find and extend the common ground between West African and North American vernacular music

Trondheim Jazz Orchestra & Espen Berg: Maetrix: A Work For Eternity

Norwegian big band plays original charts mixing pop, jazz, funk and orchestral flavours, sometimes reminding of Weather Report
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Tomeka Reid Quartet: 3 + 3

Cellist Reid collaborates with guitarist Mary Halvorson and bass and drums in a set that on at least one occasion recalls Billy Bang

Dave Douglas: Gifts

Trumpeter Douglas offers new insights into Strayhorn, Trump and his own dream sequences, where the third of the night is the problem solver

Sam Braysher: That’s Him: The Music Of Kurt Weill

British altoist Braysher turns to the lesser-known Kurt Weill (from his American period) and renders it mellifluous, swinging quartet jazz

Lux Quartet: Tomorrowland

Pianist Myra Melford co-leads a quartet with drummer Allison Miller in a set variously recalling 60s Coltrane, 80s M-Base and more
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Shabaka: Perceive Its Beauty, Acknowledge Its Grace

Shabaka Hutchings largely lays aside his tenor saxophone, preferring flute and clarinet for a set of folk-oriented material

David Murray Quartet: Francesca

The 69-year-old Murray plays typically muscular, vibrato-rich tenor saxophone and bass clarinet over swing, ballad and Latin backgrounds

Andersen, Sommer, Luft: As Time Passes

Anglo-Nordic bass, drums and guitar trio plays a reverberant, exploratory set drawing on folk, chamber jazz and light-rock styles

Alice Coltrane: The Carnegie Hall Concert

The pianist and harpist is heard in a 1971 concert with Pharoah Sanders and Archie Shepp, now released in its entirety for the first time
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