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Features
Jim Beard: delight in the detail
Mark Gilbert
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08 March 2024
The rapturous reed: saxophone in the cinema
Geoff Wills
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04 March 2024
My friend, Steve Voce
Jazz Journal
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21 February 2024
Terry Gibbs: bebop is my business /2
Randy L. Smith
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12 February 2024
Dave Quincy, English jazz-rock pioneer
Trevor Hodgett
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08 February 2024
Terry Gibbs: bebop is my business /1
Randy L. Smith
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03 February 2024
Emma Rawicz: in the middle of somewhere
Trevor Hodgett
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11 January 2024
Bill Crow: journeyman bassist and master storyteller /2
Randy L. Smith
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15 December 2023
Alex Hitchcock: making connections
Trevor Hodgett
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11 December 2023
Bill Crow: journeyman bassist and master storyteller
Randy L. Smith
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04 December 2023
Meilana Gillard – a story to tell
Trevor Hodgett
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25 September 2023
Boots Mussulli, the diminutive giant
Gordon Jack
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07 September 2023
Claire Martin: ‘I’m horrified at the stuff the empire did, but…’
Trevor Hodgett
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18 August 2023
Red Rodney: drugs, crime and all that jazz /2
Randy L. Smith
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04 August 2023
Red Rodney: drugs, crime and all that jazz /1
Randy L. Smith
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25 July 2023
Junior Cook: quintessential NYC hard-bop tenor
Jazz Journal
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15 July 2023
Thomas & Muse: naked expression
Nigel Jarrett
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04 June 2023
Linley Hamilton: ‘I feel that what I’m bringing to the table is really, really...
Trevor Hodgett
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01 June 2023
Brooks Tegler: Drum Crazy!
Randy L. Smith
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20 May 2023
Scott Hamilton: ‘We have a lot of new songs’
Trevor Hodgett
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09 April 2023
Tony Coe: ‘The first prerequisite is that it should be honest’
Mark Gilbert
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20 March 2023
Wayne Shorter: one of the last modernists
Mark Gilbert
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13 March 2023
Buddy DeFranco: Mr. Clarinet
Leon Nock
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28 February 2023
Aaron Liddard: A hybrid of myriad sources
Nigel Jarrett
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02 February 2023
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Latest Audio Reviews
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