30 articles
Randy L. Smith
A modest jazz critic and retired English teacher, Randy L. Smith is hard pressed to account for his musical tastes. As a teenager in the early 70s, while almost everyone else in the rural hinterlands of eastern Washington State listened to Johnny Cash, he became unaccountably fascinated by jazz. In high school, he bought a gleaming silver Getzen Capri trumpet from Don Lanphere of Belmont Music in Wenatchee, not knowing that Don had recorded with Fats Navarro in 1948. Jazz is truly where you find it! As a student at the University of Puget Sound in Tacoma, his love of jazz continued unabated and his knowledge expanded. That passion glows undimmed to this day in his adopted hometown of Kobe, Japan where live and recorded music occupy much of his time. Along the way, he has contributed articles and interviews to Jazz Journal, Cadence, and to other publications in Japan and the Pacific Northwest. In his interviews, he strives to be a good listener and to let the musicians tell their stories. He is still attempting to master that delicate craft, while the Getzen remains securely in a closet.
Terry Gibbs: bebop is my business /2
The 1950s brought Gibbs into contact with the intuitive pianist and vibist Terry Pollard and saw the formation of his showstopping Dream Band
Terry Gibbs: bebop is my business /1
Bird had flown the bebop scene by 1955 but his contemporary Terry Gibbs, 99, is still going and lives to tell the tales
Bill Crow: journeyman bassist and master storyteller /2
In the concluding part of this 2023 interview the veteran bassist recalls his time with Marian McPartland, Gerry Mulligan and Benny Goodman
Bill Crow: journeyman bassist and master storyteller
Bill Crow, now 95, is not only a talented musician but a lucid jazz chronicler, something evident in his books and this 2023 interview
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Red Rodney: drugs, crime and all that jazz /2
From the 1950s to 70s the trumpeter was in an out of jail for drug and fraud offences but around the age of 50 the demons receded. Part two
Red Rodney: drugs, crime and all that jazz /1
He was the first white bebop trumpeter, evaded southern trouble as 'Albino Red' and impersonated a US general to steal thousands. Part one
Brooks Tegler: Drum Crazy!
Unlike many of his peers, the 50s-born US drummer didn't follow post-bop stickmen but idolised Krupa, playing with a host of swing veterans
Joshua Breakstone: jazz guitar in the tradition
The modern-mainstream specialist keeps his sound clean and close to the inspiration of his early models, Lee Morgan and Clifford Brown
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Charlie Musselwhite: blues to the bone
Playing harmonica in a town full of guitar players and playing it for Muddy Waters got the Mississippi migrant his big break in the blues
Roy McCurdy: drumming royalty /2
The 86-year-old sticksman concludes by focusing on his time with the Adderleys, the first stirring of fusion and Cannonball's tragic demise
Roy McCurdy: drumming royalty /1
The name may be unfamiliar but his work with the Adderleys, Rollins, Golson and Farmer says he should be on that list of top jazz drummers
Local legends, little names and unsung heroes
The greats of jazz emerged not from a vacuum but a culture on which their less prominent colleagues can offer telling perspective
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