22 POSTS
Having discovered jazz as a teenager, I played the clarinet, not very well, in a school band. I began writing and reviewing for
Jazz Monthly magazine in the late 1950s and continued on and off until it folded. In the mid-1960s I started reviewing jazz gigs for
The Guardian newspaper, a job that lasted about 30 years and eventually included record reviews. I was then asked by Richard Cook to join his new magazine,
Jazz Review, and have carried on since it merged with
Jazz Journal. I also wrote for
Jazz Express,
Jazz the Magazine and
Jazz on CD, while among work for non-specialist publications were record reviews for
Tribune and, later, a handful of articles for the
The Economist. I contributed to several books, beginning with
Jazz on Record and
Modern Jazz - The Essential Records and subsequently including
Jazz Now,
Masters of Jazz Saxophone and Rough Guide’s
Jazz - 100 Essential CDs. I edited and wrote much of the copiously illustrated coffee-table tome
Jazz - The Ultimate Guide.