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214 articles

Gordon Jack

My first exposure to jazz was hearing Gerry Mulligan and Bob Brookmeyer at the Royal Festival Hall in 1957. In the sixties I played baritone in rehearsal bands and on one occasion while rehearsing at the BBC Harry Rabinowitz talked us through some of the charts which was quite an experience. I began working in R&B bands, one of which was fronted by the American Freddie Mack, a former world-ranked middleweight boxing champion. I also played with the Deakin Lewis Soul band opposite some of the stars of the day such as Long John Baldry, Rod Stewart, Jimi Hendrix, The Kinks, Eric Clapton, Jimmy Witherspoon, Stevie Winwood and Spencer Davis – all for very little money, as I recall. That band was also resident at the 100 Club and the Café des Artistes in Chelsea for quite a while. Later I spent over 30 years on the semi-pro gig scene in London and the home counties – everything from weddings in the Old Kent Road to Ladies Nights at the Waldorf Hotel. I no longer play the saxophone but I take it out of its case occasionally and gaze lovingly at it. I started contributing to Jazz Journal and Crescendo in 1994 and 30 of my interviews have been published by Scarecrow Press under the title Fifties Jazz Talk. In 2003 I provided a discography of Gerry Mulligan’s numerous unissued recordings for Raymond Horricks’ biography of the great man.

Reviewed: Terry Gibbs Dream Band | Buddy Collette and Teddy Edwards | Vince Guaraldi

Terry Gibbs Dream Band: Vol 7 The Lost Tapes 1959 (Whaling City Sound WCS 143) Economics precipitated the end of the big-band era at least...

Reviewed: Phil Woods | Cannonball Adderley With Sergio Mendes | Sam Most

Phil Woods: Integrity (Red 123177-2) Performing on nearly 700 albums (150 as a leader) Phil Woods kept the bebop flame burning brightly throughout a long...

Reviewed: Miles Davis | Art Blakey’s Jazz Messengers

Miles Davis: Steamin’ (20th Century Masterworks 350270) Just before signing for the prestigious Columbia Records label in 1956 the Miles Davis quintet recorded their final...

Reviewed: Isrea Butler | Gerry Mulligan & Ben Webster | Gerry Mulligan & Paul Desmond | Ray Conniff

Isrea Butler: Congo Lament (Venus Records VR 1026) Anyone who like me used to eagerly wait for the next Bennie Green LP to be released...
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Reviewed: Helena Debono & Charlie Bates | Jon De Lucia | Natalie Jacob

Helena Debono & Charlie Bates: A Thousand Nights (Independent BDO1) Helena Debono is a classically trained vocalist who worked with NYJO in 2019 and 2020....

Milt Jackson: Plenty, Plenty Soul

The vibist has unusually open blowing moments in a late 50s set featuring Joe Newman, Cannonball Adderley, Lucky Thompson and Horace Silver

Anita O’Day & Cal Tjader: Time For 2

The singer is heard enjoying Cal Tjader's Latin grooves and at her world-weary best on the 40-bar non-blues I’m Not Supposed To Be Blue Blues

Dave Brubeck Jazz: Red Hot And Cool

As early as 1955 Dave Brubeck was using such brainy devices as three against four, canon, 12-key modulation and baroque contrapuntalism
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Nicki Parrott: Feelin’ Groovy

Parrott made her name as a bassist before emerging as a talented singer of standards and, as here, the modern songbook

Nils Lindberg: Sax Appeal – The Swedish Modern Jazz Group

1960 Swedish set gives an authoritative account of various American styles while also demonstrating the singularity of baritonist Lars Gullin

Jimmy Rowles Trio: The Nocturne Session

In a world full of pianists, Rowles' idiosyncratic approach to rhythm and harmony produced a style that was almost unclassifiable

Karrin Allyson: A Kiss For Brazil

Singer who has covered Coltrane, Joni Mitchell and Rodgers & Hammerstein turns her full attention to the bossa nova
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