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125 articles

Ian Lomax

Growing up with older siblings made Bo Diddley, Chuck Berry, Little Richard etc. my earliest musical memories. So no surprise that a few years later I was sourcing vinyl from any black American blues and R&B artists I could find. Ironically, it was the white blues octogenarian, John Mayall, who sparked my interest in jazz with his “jazz/blues fusion” sessions. Nearly 50 years on and thousand of records later, I haven’t stopped exploring. Whilst I yearned for a musical career - alas, it never happened. However, 40 years as a criminal barrister and judge gave me the discipline to listen carefully before passing judgement. Essential skills for any record critic, you may think!

Mark Winkler: The Rules Don’t Apply

Smooth-toned singer performs over polished West Coast arrangements of originals and covers including Fagen's I.G.Y. and some Beatles

Natasha Blackwood: Love Songs For Good Machines

Canadian singer and saxophonist is on the edge of jazz in a set recalling Stacey, Kent, Melody Gardot, Madeleine Peyroux and Joni Mitchell

Russ Brannon: Soujourn

Canadian guitarist influenced by Larry Carlton and George Benson ploughs the quasi-dormant smooth-jazz furrow with a sense of individuality

Daniel Bennett Group: Mr. Bennett’s Mind!

NY saxophonist Bennett lays his lyrical, Desmondian tone and phrasing over a pointed set of tuneful, harmonically restless originals
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Stan Getz: Jazz Samba plus Jazz Samba Encore!

The saxophonist's groundbreaking introduction, thanks to Charlie Byrd, of the bossa nova to the global north is repackaged with its sequel

Alison Burns & Martin Taylor: Songs For Nature

The singer and guitarist play a mellow, cleanly recorded set of swing and Latin standards, Taylor liberally overdubbing solos

Nigel Price Organ Trio: Live ’23

Nigel Price, perhaps the UK's hardest-working jazz guitarist, did a 43-date tour in 2023 and samples the results in two CDs

Brad Mehldau: Après Fauré

The exploratory jazz pianist again takes classical composition as his inspiration, mixing his own work with that of Fauré
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Lizz Wright: Shadow

After acclaim for albums on Universal and an appearance on Barack Obama's playlist, the southern singer branches out with her own-label debut

Johnny ‘Guitar’ Watson: Space Guitar Master – The 1952-1960 Recordings

Watson is well-known for his 70s funk albums but in the 1950s he played blues, making the most of reverb and feedback

Pat Bianchi: Three

NY Hammond organist plays standards from Berlin, Porter, Shorter and others with saxophonist Troy Roberts and drummer Colin Stranahan

Chris Potter: Eagle’s Point

'Supergroup' might be PR gush but Potter, Brad Mehldau, John Patitucci and Brian Blade play their soft ’n' bop pieces very well
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