Freelektron: Live At Tenho

In brief:
"...thoughtful, intensely beautiful and for all its brevity, stuffed with great music"

Notoriously, Jimi Tenor took his working name from the youngest Osmond, not from Hendrix, but the man born Lassi O. T. Lehto hasn’t been held back by the association. His work is beyond category, taking in jazz, pop, electronica, world-music situations and, most frequently, in-between states that are completely sui generis.

This remarkable live LP, recorded four years ago, will be a revelation to those who see Tenor as a kind of Finnish Gary Numan. It’s thoughtful, intensely beautiful and for all its brevity, stuffed with great music.

Advertisement

The key to the group’s success is drummer Ilmari Heikinheimo, whose electronic kit helps create the illusion that a bass player is also present. Low, slow rumbles anchor the music on the opening Tenho, which Tenor takes mainly on flute. Like Juhani Aaltonen, the senior man in Finnish jazz, he’s made the instrument something of a speciality, using an intonation that ranges between concert correctness and the wilder shores you might associate with someone like Robert Dick.

The later tracks tend to be freer and more confrontational but there is no Interstellar Space stuff here. The music remains pleasingly earthbound and almost folkish in the familiar manner of Finnish jazz, which has never hesitated to make use of native elements alongside bop and blues modalities. Tenor has never been a virtuoso. His interest lies in the song rather than the solo, but he’s capable here, as before, of some beautifully shaped and formally satisfying improvisation.

Discography
Tenho; Kaipuu Part One; Kaipuu Part Two; Lumous; Hurmos; Glamor (36.03)
Jimi Tenor (ts, f, syn); Ilmari Heikinheimo (d, elec d, pc).
Jazzaggression JALP723

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

JJ 01/63: Dave Brubeck – The Real Ambassadors

Sixty years ago editor Sinclair Traill thought the pianist's lofty adventure in jazz diplomacy musically a bit of a drag
Advertisement

Count me in… 01/22

Transfer today's appetite for cultural, but especially racial, inclusivity to the early days of jazz and one wonders if the all-white bands at that...
Advertisement

Farewell, Dr. Lonnie

With the passing of Dr. Lonnie Smith on 28 September 2021 at his home in Fort Lauderdale, FL, the jazz world bade farewell to...
Advertisement

Jackie McLean

Guillaume Belhomme traces the saxophonist's life to his first recording in 1951, thereafter shifting emphasis to his musical development
Advertisement

Billie

Director James Erskine's valuable documentary intertwines Holiday's story with that of Linda Kuehl, a literary journalist who in 1970 began a biography of her....
Advertisement

JJ 08/92: Jazz – the novel

Thirty years ago Richard Palmer liked Toni Morrison's rebuttal of the myth of Harlem even if the novel's form, as jazz solo, was abstruse
"...thoughtful, intensely beautiful and for all its brevity, stuffed with great music"Freelektron: Live At Tenho