Craig Green: Love Notes In Binary Code

In brief:
It’s a lovely little set, likely to be of interest to anyone already hip to Discus’s genre-defying catalogue but also anyone interested in the extension of jazz and improv procedures into other realms of music

This couldn’t have been a moment longer and preserved its fragile beauty. If 25 minutes sounds like short commons, it’s pretty much perfect and would that a few more artists would see the virtue of going back to LP durations, even if they don’t want the fuss of vinyl.

Green comes from the same approximate sound-world as Derek Bailey but his music has greater obvious connection to world events and conditions. His theme here is the state of our ability to communicate meaningfully with one another. Ostensibly, it’s never been easier or better, but in a world of sexting, catfishing, ghosting, trolling and the rest (I speak without authority or direct experience, though I got a hilariously unintended double entendre in an e-mail from an overseas student yesterday), one wonders if it’s all it’s cracked up to be. And Green’s music captures that perfectly. These are like little Dowland studies for the cyber age, sweetly melancholic meditations on where and who we are now and what matters to us.

Advertisement

Though it’s largely improvised, there are pre-composed elements, which are neither obvious nor hidden, just a sense that there is a controlling logic and trajectory for each piece. It falls into two long and two very short tracks, but the balance is fine and Self Portrait In 3 Filters and You Don’t Reply Anymore don’t need to be any longer than they are. Their miniaturism is part of the message.

I wondered briefly what Deamer brought to the proceedings, but it wouldn’t have worked without him. Probably better known for his rock and post-rock work on the Bristol scene (Portishead, but also Hawkwind and Radiohead), he provides a steady accompaniment and often helps to give the piece some form. It’s a lovely little set, likely to be of interest to anyone already hip to Discus’s genre-defying catalogue but also anyone interested in the extension of jazz and improv procedures into other realms of music.

Hear/buy Craig Green: Love Notes In Binary Code at https://discus-music.co.uk/catalogue-mobile/dis92-detail

Discography
Love Notes In Binary Code (Note A); Self Portrait in 3 Filters (Note B); The High Price Of Real Estate In The Simulation (Note C); You Don’t Reply Anymore (Note D) (25.00)
Craig Green (g); Clive Deamer (d, pc).
Discus 92CD/DL

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Maridalen: Bortenfor

The moody chamber jazz of Maridalen’s eponymous debut was one of the most welcome surprises of 2021, and in my review I sensed the...
Advertisement

Obituary: Lee Konitz

Lee Konitz was one of the very few alto players of his generation not to be overwhelmed by the genius of Charlie Parker. Totally...
Advertisement

Terry Gibbs: bebop is my business /2

The 1950s brought Gibbs into contact with the intuitive pianist and vibist Terry Pollard and saw the formation of his showstopping Dream Band
Advertisement

The Old Familiar Places

Jazz novel traces the life of a young English pianist and illustrates the emotional support offered by music in general and jazz in particular
Advertisement

Modern Jazz Quartet: Live

The glut of plastic that is choking the oceans of the world is entirely due to the surfeit of CDs and DVDs by the...
Advertisement

JJ 10/80: Bob Wilber And The American All Stars Featuring Lars Erstrand: In The Mood For Swing

Bob Wilber has gathered as reliable a bunch of stalwart jazzmen you would hope to find in order to record his special arrangements of...
It’s a lovely little set, likely to be of interest to anyone already hip to Discus’s genre-defying catalogue but also anyone interested in the extension of jazz and improv procedures into other realms of musicCraig Green: Love Notes In Binary Code