February 2023 - Jazz Journal

Chris Potter: Got The Keys To The Kingdom

28 February 2023

Andorra: Current

28 February 2023

Buddy DeFranco: Mr. Clarinet

28 February 2023

JJ 02/93: Steve Swallow – Home

28 February 2023

JJ 02/93: Desi Arnaz & Chico Marx – Big Bands Of...

28 February 2023

JJ 02/83: Larry Carlton – Sleepwalk

28 February 2023

Dave Jones Quintet at Black Mountain Jazz

28 February 2023

Kate Hamann: Momentary Beauty

28 February 2023

Tomer Cohen: Not The Same River

28 February 2023

JJ 02/83: Arild Andersen – A Molde Concert

27 February 2023

JJ 02/73: Ian Carr – Belladonna

27 February 2023

JJ 02/73: The Jazz Journal Interview – Ian Carr talks to...

27 February 2023

Obituary: Alan Bates

26 February 2023

Ahmad Jamal’s Three Strings: The Complete Okeh, Parrot & Epic Sessions...

26 February 2023

Wolfgang Haffner: Silent World

26 February 2023

JJ 02/63: George Russell Sextet – Ezz-Thetics

25 February 2023

T-Bone Walker: T-Bone Blues

24 February 2023

Buddy Tate & White Label: Tate’s Delight

24 February 2023

JJ 02/63: Eric Dolphy – At The Five Spot

24 February 2023

JJ 02/63: Montmartre Mainstream

24 February 2023

Pure Desmond: Plays James Bond Songs

23 February 2023

Diane Marino: I Hear Music

23 February 2023

Teus Nobel Liberty Group: Human First

23 February 2023

JJ 02/63: Mose Allison – Ramblin’ With Mose

23 February 2023

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Latest Audio Reviews

Randy Weinstein: Harmonimonk

Peter Gamble - 27 September 2024

Bobby Hutcherson: Classic Blue Note Sessions 1963-1970

Michael Tucker - 26 September 2024

DigDogDo: Evolution

Darren Arthurs - 25 September 2024

Meshell Ndegeocello: No More Water – The Gospel of James Baldwin

Simon Adams - 25 September 2024

Mute: After You’ve Gone

Darren Arthurs - 24 September 2024

In Features

Lynne Arriale – jazz-liberated classicist

Trevor Hodgett - 08 June 2022

Eddie Lang, first of the virtuoso jazz guitarists /3

Steve Voce - 02 May 2021

Tony Coe: ‘The first prerequisite is that it should be honest’

Mark Gilbert - 20 March 2023

Mike LeDonne: working the magic of the black aesthetic of jazz

François van de Linde - 06 April 2020

Jazz and cricket: unlikely companions /3

Matthew Wright - 10 September 2019

In Columns

Zappa’s ’Round Midnight?

Jazz Journal - 16 May 2019

Still Clinging to the Wreckage 10/19

Steve Voce - 01 October 2019

Still Clinging To The Wreckage 11/21

Steve Voce - 15 November 2021

Obituary: Jack Sheldon

Bruce Crowther - 18 January 2020

Obituary: Joseph Jarman

Peter Gamble - 20 January 2019

In Book Reviews

Early Jazz – A Concise Introduction, From Its Beginnings Through 1929

Nigel Jarrett - 22 February 2024

Hearing Double

Graham Colombé - 13 May 2025

Rabbit’s Blues – The Life And Music Of Johnny Hodges

Graham Colombé - 11 December 2019

Make It New: Reshaping Jazz In The 21st Century

Nigel Jarrett - 29 May 2020

Gaddiments

Mark Youll - 10 August 2021

In Live Reviews

The Hidden Jazz Club does Christmas

Jazz Journal - 31 December 2024

Sarah Jane Morris: The Sisterhood, at Cadogan Hall

Leon Nock - 12 October 2023

Diva II Diva at Crazy Coqs

Leon Nock - 02 March 2019

Melbourne International Jazz Festival, 2023

Jazz Journal - 02 November 2023

Kaisa’s Machine at LOCH in Wuppertal

Matty Bannond - 07 November 2024

In Film Reviews

Billy Bang: Lucky Man

Matthew Wright - 12 May 2021

Count Basie – Through His Own Eyes

Graham Colombé - 16 October 2020

Billie

Andy Hamilton - 09 November 2020

A Man Called Adam

Graham Colombé - 01 October 2021

Ma Rainey’s Black Bottom

Ian Lomax - 24 December 2020

From the Jazz Journal archive

JJ 03/61: Jazz Skyline

Jazz Journal - 24 March 2021

JJ 07/70: Art Farmer talks to Fred Bouchard

Jazz Journal - 02 August 2020

JJ 12/93:The Mark Varney Project: Truth In Shredding & Centrifugal Funk

Jazz Journal - 31 December 2023

JJ 02/89: John Surman – Private City

Jazz Journal - 28 February 2019

JJ 06/94: Hard Bop: Jazz And Black Music 1955-1965

Jazz Journal - 24 June 2024

Monthly Archives: February 2023