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218 articles

Gordon Jack

My first exposure to jazz was hearing Gerry Mulligan and Bob Brookmeyer at the Royal Festival Hall in 1957. In the sixties I played baritone in rehearsal bands and on one occasion while rehearsing at the BBC Harry Rabinowitz talked us through some of the charts which was quite an experience. I began working in R&B bands, one of which was fronted by the American Freddie Mack, a former world-ranked middleweight boxing champion. I also played with the Deakin Lewis Soul band opposite some of the stars of the day such as Long John Baldry, Rod Stewart, Jimi Hendrix, The Kinks, Eric Clapton, Jimmy Witherspoon, Stevie Winwood and Spencer Davis – all for very little money, as I recall. That band was also resident at the 100 Club and the Café des Artistes in Chelsea for quite a while. Later I spent over 30 years on the semi-pro gig scene in London and the home counties – everything from weddings in the Old Kent Road to Ladies Nights at the Waldorf Hotel. I no longer play the saxophone but I take it out of its case occasionally and gaze lovingly at it. I started contributing to Jazz Journal and Crescendo in 1994 and 30 of my interviews have been published by Scarecrow Press under the title Fifties Jazz Talk. In 2003 I provided a discography of Gerry Mulligan’s numerous unissued recordings for Raymond Horricks’ biography of the great man.

WDR Big Band: Birth Of A Bird

Big band centenary tribute sports fine solo and ensemble work and arranging surprises such as the startling polytonal statement on Chi Chi

Art Blakey & The Jazz Messengers: Four Classic Albums 

Double CD collects four LPs from the late 50s to early 60s, including the 1956 date that formalised the idea of hard (as opposed to cool) bop

Dameronia’s Legacy All-Stars: Live At Audi Forum Ingolstadt

New tribute to the celebrated arranger and composer makes a worthy sequel to the Don Sickler and Philly Jo Jones albums of the 80s

Matthias Schwengler: Soulcrane & Strings

German trumpeter renders his already atmospheric music even more so with the addition of a mid-low register string section
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Erik Leuthauser: In The Land Of Ronny Whyte

German singer duets with New York cabaret man Ronny Whyte in a set recalling the hip sophistication of Matt Dennis and Bobby Troup

Chet Baker: Sings – The Mono & Stereo Versions

New variation on the classic reminds that Baker's bland, emotionless singing was the least interesting part of his musicality

Chet Baker & Gerry Mulligan: The Complete Recordings 1952-1957

Despite the Baker billing this five-CD set collects the Mulligan quartet and tentette albums from 1952-57 plus some Annie Ross with Mulligan

Obituary: Ronnie Cuber

Although the gifted New Yorker came to the baritone by accident, he set a uniquely high bar for his instrument, technically and creatively
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Allison Neale: picking up the thread

The woodwind player is one of many who have embraced the modern mainstream repertoire that was eclipsed by the expansions of the 60s and 70s

Blossom Dearie: The Hits

Dearie offered hip delivery, perfect intonation and crystal-clear diction and Miles Davis thought her the only white woman who had soul

Stan Getz Quartet At Large: The Complete Sessions

Reissue adds Stockholm airshots to the 1960 album that might have inspired Coltrane to say 'We’d all sound like that - if we could'

Lee Konitz: The Complete 1956 Quartets

Konitz's avoidance of the near-ubiquitous influence of Charlie Parker and his ability on the tenor are both exemplified here
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