Stanley Turrentine: Look Out!

476

Stanley Turrentine’s sound on tenor, with its strong blues inflections, is straight out of the powerful school of hard blowing associated with Illinois Jacquet, Gene Ammons and Don Byas.

Turrentine began his career as a sideman with R&B groups led by Lowell Fulson, Earl Bostic and Ray Charles but his two 1960 albums with Jimmy Smith – Midnight Special and especially Back At The Chicken Shack – really helped to raise his profile with the public. Back At The Chicken Shack became very popular with British R&B groups and when I was working with the Deakin Lewis Soul Band in the mid-60s we played it nightly – sometimes twice nightly.

It was his performances on those two albums that led to Blue Note awarding him a contract and the opening six titles here were his first for the label and his first as a leader. The boss rhythm section led by the impressive Horace Parlan create an irresistible foot-tapping groove on the opening blues that finds Turrentine responding with one of his best solos of the set.

The minor-key Little Sheri is a particularly soulful offering and is one of several fine originals by the leader throughout both CDs. On Soft Pedal Blues he sustains interest even at the slowest of tempos – just 16 bars to the minute.

CD2 features his wife Shirley Scott on organ. She embraces the tenor with sanctified overtones creating an intimate ensemble sound that was to remain their calling-card for the next 10 years. Wee Hour Theme – another slow blues – is an excellent example of their work together as they change key at the end of each chorus slowly building the intensity level.

Although a no-nonsense swinger Stanley Turrentine had a delicate, lyrical touch with a ballad as he demonstrates on Yesterdays and Time After Time.

Discography
CD1: [Look Out!] (1) Look Out; Journey Into Melody; Return Engagement; Little Sheri; Tiny Capers; Minor Chant; [That’s Where It’s At] (2) Smile Stacey; Soft Pedal Blues; Pia; We’ll See Yaw’ll After While, Ya Heah; Dorene Don’t Cry; Light Blue (78.05)
CD2: [Dearly Beloved] (3) Baia; Wee Hour Theme; My Shining Hour; Troubles Of The World; Yesterdays; Dearly Beloved; Nothing Ever Changes My Love For You; [Stan “The Man” Turrentine] (4) Let’s Groove; (5) Sheri; (4) Stolen Sweets; (5) Mild Is The Mood; (4) Minor Mood; Time After Time; (5) My Girl Is Just Enough Woman For Me (79.22)
Turrentine (ts) with:
(1) Horace Parlan (p); George Tucker (b); Al Harewood (d). New Jersey, 18 June 1960. (2) Les McCann (p); Herbie Lewis (b); Otis Finch (d). New Jersey, 2 January 1962. (3) Shirley Scott (org); Roy Brooks (d). New Jersey, 8 June 1961. (4) Tommy Flanagan (p); George Duvivier (b); Max Roach (d). NYC, 13 January 1960. (5) as (4) Sonny Clark (p) replaces Flanagan.
Jazz Images 38117

REVIEW OVERVIEW
Reviewer reaction
Previous articleAntônio Carlos Jobim: Wave
Next articleTrilok Gurtu: God Is A Drummer