Slow Is The New Fast: Slower

In brief:
"...the term Nordic sound is applied to a certain style of jazz that often emanates from Scandinavia ... but the addition of flute and violin (and ravanhatta) gives this music a certain distinctiveness – Nordic Plus, perhaps?"

After a debut album called Slow, Norwegian ensemble Slow Is The New Fast returns with two new members and a second album called Slower. The band is now a sextet following the addition of violinist Håkon Aase and flute player Henriette Hvidsten Eilertsen, two musicians who bring a distinctively folk feel to the front line.

The album opens with What Is Geography Without Borders, a song that has the feel of a Birth Of The Cool track if Miles Davis had replaced the saxes with a violin. It turns out to be the fastest tune on Slower, but even here the group doesn’t move too far beyond mid-tempo.

Advertisement

Track number two, Whenever You’re Ready, is more typical of the band’s relaxed slow-tempo sound: it’s followed by two tunes that are more groove-oriented. The First Thing I Remember is the most immediate and catchy of the two, with Eilertsen’s flute adding a spectral feel. Flute once again dominates the sound on much of Wonderland, although Joel Ring’s underpinning bass line is also impactful.

From time to time the term Nordic sound is applied to a certain style of jazz that often emanates from Scandinavia and is characterised by plenty of space, slow tempo, trumpet or flugelhorn often used as the lead instrument and melodies that evoke feelings of meditation or melancholy.

Slow Is The New Fast bring all of these elements to Slower, but the addition of flute and violin (and ravanhatta) gives this music a certain distinctiveness – Nordic Plus, perhaps?

Discography
What Is Geography Without Borders?; Whenever You’re Ready; Just Dust; The First Thing I Remember; I Don’t Have Flowers In My Bedroom; Wonderland; Let’s Stay A Bit Longer; XOXO (42.00)
Lyder Øvreås Røed (t, flh); Håkon Aase (vn, ravanhatta, pc); Henriette Hvidsten Eilertsen (f); Bjørn-Even Bjarkli Verbeke (p); Joel Ring (b); Tore Ljøkelsøy (d, pc) Halden, Norway, 28-30 August 2019.
AMP Music And Records AT066

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Dexter Gordon Quartet: Live In Chateauvallon 1978

Quite often, after a little digging around, claims that discs contain previously unissued tracks are found to be spurious. But on this occasion I...
Advertisement

Count Me In… 09/26

What a pleasure to host a festival gig alongside jazz broadcaster John Hellings (BBC, commercial radio passim, Serenade Radio), at which music and reminiscence...
Advertisement

Tracking the mystery woman of jazz: Mama X Plus / 2

Above all else, music and musicians remained constant anchors throughout Gale Madden's life. She had no end to the stories of musicians with whom...
Advertisement

Kick It: A Social History Of The Drum Kit

Matt Brennan is a drummer, and protégé of socio-musicologist Simon Frith. As Brennan rightly comments, it's bizarre that there's been no book-length scholarly history...
Advertisement

Buster Williams: Bass To Infinity

As deep as Buster Williams’ opening quote in this insightful film on his life is the seductive sound of his bass growling under his...

Green Book

Syncopation

Billie

Advertisement

JJ 05/76: Niels-Henning Ørsted Pedersen – Jaywalkin’

Fifty years ago, Michael Shera found strings of bass solos and Pedersen's compositions rather dull but seemed to miss two incandescent and redeeming bop solos on Cheryl
"...the term Nordic sound is applied to a certain style of jazz that often emanates from Scandinavia ... but the addition of flute and violin (and ravanhatta) gives this music a certain distinctiveness – Nordic Plus, perhaps?"Slow Is The New Fast: Slower