Advertisement
Advertisement

Soft Machine: Live At The Baked Potato

In brief:
"...the great thing about the current group is that there is no desire to live in the past. The Soft Machine project seems to be pointed forward and not part of the heritage industry"

Would the Liverpool of 2020 stuff the Liverpool of 1981-1986? Would Sam Snead and Tommy Armour with modern equipment beat the majors tally of Jack Nicklaus and Tiger Woods? Are the latter-day Soft Machine as good as the band that made Third, Fourth and Fifth? Excellent material for a saloon-bar barney but such relativism is usually slightly beside the point.

Whatever the merits of the old Softs, they aren’t around now and some of the old membership (Dean, Hopper, Ayers, Holdsworth) is dead, and the current incarnation of the band is actually bloody good. It’s worth remembering that three out of the four current Softs, who marked the band’s half centenary last year with a major tour, have pedigree going back to the 70s and that the only “new” member is Theo Travis, who’s a senior figure himself now, though not quite as venerable as his colleagues.

Advertisement

Live At The Baked Potato was recorded in Los Angeles. They probably wouldn’t have got out alive without playing Out-Bloody-Rageous and The Man Who Waved At Trains, but the great thing about the current group, despite the presence of John Marshall, Roy Babbington and John Etheridge, is that there is no desire to live in the past. The Soft Machine project seems to be pointed forward and not part of the heritage industry, which would be a much more comfortable gig and possibly a more lucrative one.

Though the set also includes Hugh Hopper’s Kings And Queens and Karl Jenkins’s Hazard Profile and The Tale Of Taliesin, the music is fresh and alert. Travis and Etheridge are the main composers, with the guitarist’s Heart Off Guard and Travis’s Life On Bridges (it follows The Man Who Waved At Trains and might have been inspired by it) both vital new items in the Soft Machine book.

The sound’s very good and everything comes through strongly. What in former times could sound like a solid clump of electric sound, now has a bit of air round the instruments, which is another reason to prefer the current group.

Buy Soft Machine: Live At The Baked Potato at softmachine.org/store

Discography
Out-Bloody-Intro; Out-Bloody-Rageous; Sideburn; Hazard Profile Pt 1; Kings And Queens; The Tale Of Taliesin; Heart Off Guard; Broken Hill; Fourteen Hour Dream; The Man Who Waved At Trains; Life On Bridges; Hidden Details (64.30)
Theo Travis (ts, f, elp); John Etheridge (elg); Roy Babbington (elb); John Marshall (d). LA, c. 2020.
Dyad DY031

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

John McLaughlin: The Montreux Years

I must admit to remaining unconvinced about this ongoing series of Montreux Festival highlights, bringing together as they do eight or so unrelated tracks...
Advertisement

Alt. takes 05/20

One informal theme of this recently rather irregular column – for which, apologies – is misremembering or sometimes downright forgetting. I’ve recently been involved...
Advertisement

The peace of Pipedream

Keith Tippett's recent passing sent me scurrying back to the percentage of his discography that I have on record; the exercise disclosed facets of...
Advertisement

Dreams In Double Time

Californian English prof discusses four non-native US jazz players, including himself, in the context of sociology, racism and politics
Advertisement

The Frank Sinatra Show with Ella Fitzgerald

This TV show, made 10 December 1959 for the ABC Television network, was intended as an outside broadcast but fell on a rare rainy...
Advertisement

JJ 08/85: Pat Metheny Group – The Falcon And The Snowman

Forty years ago Mark Gilbert thought Metheny and Mays' soundtrack for The Falcon And The Snowman was the inevitable corollary of the cinematic tone of the ECM label, for which they also recorded
"...the great thing about the current group is that there is no desire to live in the past. The Soft Machine project seems to be pointed forward and not part of the heritage industry"Soft Machine: Live At The Baked Potato