Advertisement
Advertisement

The Black Nothing: Stilleben

In brief:
"Viewed as a jazz album only, it’s perhaps problematically positioned for these pages. Approached without prejudice it’s a marvellous musical experience and a step on from TBN’s previous release, Paths"

Anders Filipsen is probably better described as a sound-artist rather than as a musician. There has always been a strong audio-visual component to his work whether with The White Nothing (an early flip of the present ensemble), Travelling Tribes or The Firebirds (with whom he made a very clever arrangement of Danish composer Carl Nielsen’s music).

Stilleben is a slow, looping soundscape of processed horns, chorused vocals and Fourth World percussion. It’s difficult music to locate generically, since it draws on everything from rock to conservatory new music to the ambient/world sounds of Brian Eno and Jon Hassell, but with a deeper intent than the usual “eclectic” mash-ups.

Advertisement

Good musicians switch styles and borrow from all over, creating diverse bodies of work. Great musicians tend to follow one idea for long periods, examining its every implication, and there is a strong sense, reinforced here, that Filipsen has been pursuing a single sound through space and time, right from his emergence as a leading improviser on the Danish scene.

Stilleben goes through many sound colours and locations, but it has a single idea at its core, a slow and steady transformation of material that is never clearly stated, but always hypothetically present, like the “enigma” theme in a set of variations. Some of the best young Danish improvisers make up the ensemble, but in a sense they’re all subordinate to Filipsen’s auteurship. There’s certainly no role for charismatic soloing.

Whether you like this stuff or not is contingent on your tolerance for crossover music. Viewed as a jazz album only, it’s perhaps problematically positioned for these pages. Approached without prejudice, and even allowing for the absence of Jeppe Lange’s video component, it’s a marvellous musical experience and a step on from TBN’s previous release, Paths.

Buy The Black Nothing: Stilleben at ilkmusic.com

Discography
Waiting In C; Postponed Moment; Always Alice; Pleasure Is Shame; Alone For The Many; Let Me Walk The Moon; Do You Think So: Never Ever; Wo Und Wo; Slow And Fast; Yes Dear; A Room With Gongs (61.40)
Anders Filipsen (syn, comp); Emil Jensen (t, fx); Lars Greve (ts, cl); Jeppe Højggard (as, cl); Soma Allpass (clo); Nils Bo Davidsen (b); Bjørn Heebøl (d); Lars Lundehave (elec); Qarin Wikström (v, fx). Denmark, c. 2020.
ILK 302

Advertisement
Advertisement

Jazz Journal articles by month

Advertisement

Hank Jones Trio: Live At Jazzhus Slukefter, Vol. 2

As a result of his association with Charlie Parker and assorted original bebop musicians, Hank Jones came to be known as a...
Advertisement

Obituary: Slyde Hyde

A widely admired and respected jazz and studio musician, trombonist Slyde Hyde played on many recording dates backing the biggest names in...
Advertisement

Does humour belong in music?

You probably know the story about Al Cohn. Bill Crow tells it in his book Jazz Anecdotes. Cohn was on tour in...
Advertisement

Adrian Rollini: The Life And Music Of A Jazz Rambler

The provenance of this bass sax-sized volume is most unusual. Forty years ago Dutchman Tom Faber, drawn to Rollini by the records...
Advertisement
Advertisement

JJ 08/79: Karin Krog / John Surman – Cloud Line Blue

Despite the 1958 Annie Ross / Gerry Mulligan precedent, a combination of voice and baritone sax might seem implausible. In fact, Surman...