Reviewed: Roy Hargrove | Web Web | Chet Baker | In memoriam: Maja Lemmen

Roy Hargrove: Bern Any posthumous release of the exquisite Roy Hargrove (1969-2018) meets high expectations. Certainly, Bern leaves one readily fulfilled. In 2000, the figurehead of neo-bop, who was renowned for his work (jam) ethos, was in a good place, having branched out with his Afro-Cuban band Crisol and an association with neo-soul star D’Angelo. At the same time, the trumpeter’s working unit, featuring alto saxophonist Sherman Irby and veteran pianist Larry Willis, pushed the envelope of contemporary jazz, a sort...

Reviewed: Airelle Besson & Lionel Suarez | Leïla Olivesi | Chet Baker

Airelle Besson & Lionel Suarez: Blossom I had Ben Rosenblum’s comments about the accordion in mind when I listened to Blossom. In the notes for...

JJ 05/96: Shooting From The Hip

Thirty years ago, while not always agreeing with his taste, Richard Palmer recommended a collection of what John Fordham wrote about jazz for the Guardian and others between 1970 and 1996

JJ 05/96: British Saxophone Quartet – Early October

American role models notwithstanding, 30 years ago Barry McRae heard the BSQ of Elton Dean, Paul Dunmall, Simon Picard and George Haslam go their own way

JJ 05/86: Allan Holdsworth – Metal Fatigue

Forty years ago, Mark Gilbert relished the landmark solo on Devil Take The Hindmost and the cut-glass heavy metal riffs but hoped too that Holdsworth might one day play with Corea, DeJohnette and Holland

News in brief...

Saxophonist Sonny Rollins, noted for his robust hard-bop style, died 25 May at his Woodstock, NY home, aged 95. His website noted his 2009 comment that “I think when the creative person ends, he continues in the next existence. I’m a person who believes this life isn’t the be-all and end-all of everything. A spiritual person doesn’t feel like that.”

Among the big names coming up at Ronnie Scott’s, London, May-July are Dave Weckl/Tom Kennedy Project (27), Chris Potter Trio (28), Billy Cobham with the Guy Barker Big Band (8-11 June), Monty Alexander (22-24), Steve Smith & Vital Information (26-27), Gonzalo Rubalcaba, Chris Potter, Larry Grenadier and Eric Harland (8 July), Eliane Elias (15-16), Kenny Garrett (17-19) and Carmen Lundy (24-25).

Attila Kleb of JazzFest Budapest says he’s been fighting for a real jazz festival, undiluted with “performances by pop and rock stars”. This year, 27 June – 2 July, the city invites such as Pat Metheny, Marcus Miller, Charles Lloyd, Mike Stern and Ravi Coltrane.

Among the soul and pop that dominates the 2026 Love Supreme Jazz Festival in Sussex, 3-5 July (e.g., Temptations, Four Tops and Sister Sledge) is some jazz-related music from such as Bill Frisell, Joe Lovano, Joe Webb and Emma Rawicz.

The fourth MoonJune festival, devised by the indefatigable Leonardo Pavkovic and describing itself as a festival of “eclectic music”, takes place in Teramo, Italy, 22-25 July 2026 and includes Soft Machine w. Gary Husband, Gong w. Steve Hillage and Diego Amador’s Flamenco Free Jazz.

JJ 05/86: Joe Henderson – Our Thing

Forty years ago, Mark Gilbert was pleased to be acquainted with the early work of a saxophonist who, by 1986, had become a major and abiding influence on contemporary saxophone

JJ 05/86: The Guest Stars – Out At Night

Forty years ago, Simon Adams welcomed the jazz, funk, Latin and African mix of British all-female group The Guest Stars' second album while looking forward to more risk-taking on their next

JJ 05/86: Camden Jazz Week, London

Forty years ago, JJ covered two concerts - Loose Tubes and Courtney Pine - at the Camden Jazz Week, both reflecting the original, now perpetual, British jazz revival

JJ 05/76: Lonnie Liston-Smith – Visions Of A New World

Liston-Smith's mid-70s records have become articles of faith for acid-jazzers, but 50 years ago, Roger Dean didn't get as far as musicological analysis of Visions, deeming it 'extremely monotonous'

JJ 05/76: Ralph Towner – Solstice

Fifty years ago, Burnett James found that the sitar gimmickry of the 60s had matured into a proper Indian - or at least Eastern - influence in jazz
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JJ 05/76: Niels-Henning Ørsted Pedersen – Jaywalkin’

Fifty years ago, Michael Shera found strings of bass solos and Pedersen's compositions rather dull but seemed to miss two incandescent and redeeming bop solos on Cheryl
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JJ 05/66: Joe Harriott / John Mayer – Indo-Jazz Suite

Sixty years ago, Michael Shera rated Harriot-Meyers' fusion of jazz and 'probably the most rhythmically complex' music in the world an unqualified success

JJ 05/76: Paul Bley, John Gilmore, Jimmy Giuffre – Alone Again / Quiet Song / Turning Point

Fifty years ago, Roger Dean, unusually among jazz critics, gave a musicological thumbs-up to the first issues on Bley's own record label

JJ 05/86: Joe Henderson – Our Thing

Forty years ago, Mark Gilbert was pleased to be acquainted with the early work of a saxophonist who, by 1986, had become a major and abiding influence on contemporary saxophone

JJ 05/86: Allan Holdsworth – Metal Fatigue

Forty years ago, Mark Gilbert relished the landmark solo on Devil Take The Hindmost and the cut-glass heavy metal riffs but hoped too that Holdsworth might one day play with Corea, DeJohnette and Holland

Reviewed: Roy Hargrove | Web Web | Chet Baker | In memoriam: Maja Lemmen

Roy Hargrove: Bern Any posthumous release of the exquisite Roy Hargrove (1969-2018) meets high expectations. Certainly, Bern leaves one readily fulfilled. In 2000, the figurehead of neo-bop, who was renowned for his work (jam) ethos, was in a good place, having branched out with his Afro-Cuban band Crisol and an association with neo-soul star D’Angelo. At the same time, the trumpeter’s working unit, featuring alto saxophonist...

Reviewed: Airelle Besson & Lionel Suarez | Leïla Olivesi | Chet Baker

Airelle Besson & Lionel Suarez: Blossom I had Ben Rosenblum’s comments about the accordion in mind when I listened to Blossom. In the notes for his The Longest Way Round album (reviewed earlier this year), Ben mentioned the “misunderstood” nature of the accordion. That opened my ears to the different sounds and moods that the accordion can express. In turn, this has made me appreciate...
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New releases April-May 2026, S-Y

Sánchez, Christopher: Latin Jazz Meets Opera They say : Latin Jazz Meets Opera is a deeply personal album. It tells the story of Christopher Sánchez’s life through...

New releases April-May 2026, P-R

Records offered for review to Jazz Journal in March-April 2026, including John Pachnos, Peter Furlan, Phoenix Trio, Raimonds Pauls and Ron Reider // Editor's pick: Peter Furlan

New releases April-May 2026, M-O

Records offered for review to Jazz Journal in March-April 2026, including Doug MacDonald, Albert Marquès & Rachel Therrien, Wes Montgomery, Novos Londrinos and Audrey Ochoa // Editor's pick: Audrey Ochoa

Jazz, blues and spiritual Ealing

Ealing's Walpole Park is the scene for a number of summer festivals, including those dedicated to jazz, blues and comedy. In fact, Ealing claims to be the birthplace of British blues, its connections with the British blues boom including...

Swanage Jazz Festival presents ‘pure jazz’ in over 30 concerts

Visitors to this year's Swanage jazz festival, 10-12 July, can expect to see what the festival calls (and what appears from the names clearly to be) the "purest" jazz festival lineup on the south coast (or, one might add,...
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Trinity Laban settles with Martin Speake over his remarks on jazz and skin colour

Following a two-year dispute the Trinity Laban conservatoire in South London has reached a private settlement with Martin Speake, a former teacher of saxophone at the college who attacked critical race theory and the proposition that the UK jazz...

Unapologetic Expression: The Inside Story Of The UK Jazz Explosion

For a geezer of my vintage the great and most fruitful UK jazz explosion occurred in the late 60s-early 70s, fuelled by South African expats and musicians from the West Country and then, somewhat in contrast, there was the...

Judith Owen: ‘I dream of being unladylike’

We might assume from past photoshoots that Judith Owen, Wales-rooted and now resident in - where else? - New Orleans, is a raunchy bar-room blues belter but her new album, Suit Yourself, shows her aptitude for more subtle shades

Satoko Fujii and Natsuki Tamura: making music never heard before

Stan Getz, Miles Davis, Red Rodney, Corky Corcoran, to pick a few names at random, all began playing professionally in their teens. I remember...

Gianluca Pellerito, drum wunderkind

I first encountered drummer Gianluca Pellerito through social media and quickly became one of his 330k followers on Instagram, but it was seeing this...

Count Me In… 02/26

Oh for a schism, an entertaining rupture in the ranks so that one can watch militants spit venom across a void. Jazz had a famous one at the turn of the 1950s – "la mère de tous les schismes",...

Obituary: Ralph Towner

With the death of Ralph Towner (1940 - 2026) contemporary jazz lost one of its most prolific and distinctive voices. How many musicians can you think of whose work covers the range that Towner explored in the now rippling,...
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JJ 05/96: Shooting From The Hip

Thirty years ago, while not always agreeing with his taste, Richard Palmer recommended a collection of what John Fordham wrote about jazz for the Guardian and others between 1970 and 1996

JJ 05/96: British Saxophone Quartet – Early October

American role models notwithstanding, 30 years ago Barry McRae heard the BSQ of Elton Dean, Paul Dunmall, Simon Picard and George Haslam go their own way

JJ 05/86: Allan Holdsworth – Metal Fatigue

Forty years ago, Mark Gilbert relished the landmark solo on Devil Take The Hindmost and the cut-glass heavy metal riffs but hoped too that Holdsworth might one day play with Corea, DeJohnette and Holland