Mike Westbrook: Love And Understanding – Citadel / Room 315 Sweden ’74

Reviewer rating
"If you've never heard this music, this is an excellent opportunity. If you treasure early Westbrook, you should still make room for this version"

It’s probably anathema to say that I prefer this version to the issued studio recording with British musicians. The Swedish Radio Jazz Group play Westbrook’s score with a cool reserve that makes sense of the music and reflects a strong early understanding of long-form composition in a modern jazz vein. The same players had worked with George Russell and it shows.

The Citadel music – named after the room in a tower block in Leeds where Westbrook found a piano that nobody else ever seemed to play – is similar in cast, though perhaps more thoughtfully and thoroughly conceived than the wonderful Metropolis. Both share a kind of panoramic view of the city: not just its bustle and human confrontation (a useful metaphor for a jazz composer), but also its moments of silence and even loneliness. There are desolate moments here, as there are on Metropolis, but also moments of private joy. 


No one was better qualified to run that gamut of expression than John Surman, who is the featured artist, soloing on soprano on Construction and Tender Love, bass clarinet on View From The Drawbridge and Bebop De Rigueur, and baritone on most of the rest. He solos on everything except the long Pastorale. He’s in superb voice, intense but playing with an uncanny naturalness and poise.

The Swedish players are more than merely professional. Bengt Hallberg takes a quirky solo on Pistache (Westbrook plays electric piano throughout and stays pretty much in the background), while Åberg, Lovgren, Gustafsson and the splendid Allan all make significant interventions.

Some will prefer the comradely heat of the British studio version, but this one has virtues that highlight the subtlety and openness of Westbrook’s writing, which is very much in the Ellington tradition, highlighting the soloists but constraining them enough to preserve the integrity of the composition.

If you’ve never heard this music, this is an excellent opportunity. If you treasure early Westbrook, you should still make room for this version.

Hear/buy Mike Westbrook: Love And Understanding – Citadel / Room 315 Sweden ’74 on Bandcamp

Overture; Construction; Pistache; View From The Drawbridge; Love And Understanding; Tender Love; Bebop De Rigueur; Pastorale; Sleepwalker Awaking In Sunlight; Outgoing Song; Finale (64.15)
Westbrook (cond, elp); John Surman (ss, bar, bcl, featured soloist); Americo Bellotto (t); Bertil Lövgren (t, flh); Jan Allan (t, ahn); Håkan Nyquist (t, flh, frh); Lars Olofsson (tb); Sven Larsson (btb, tu); Arne Domnérus (as, cl); Claes Rosendahl (ts, f); Lennart Åberg (ss, ts, f); Erik Nilsson (bs, bcl, f); Bengt Hallberg (p); Georg Riedel (b); Stefan Brolund (elb); Egil Johansen (d); Jan Bandel (d, vib, pc). Sweden, 1974.
My Only Desire MOD03


Jazz Journal articles by month

Steve Khan: Patchwork

The basic style follows a lot of previous sessions by Khan’s trio, going back decades, but this is an especially convincing one. On the...

Still Clinging To The Wreckage 04/20

Thanks to its anchoring by Alyn Shipton, BBC Radio Three’s Jazz Record Requests has a permanency in the jazz calendar bestowed on it by...

Benny Golson: in the maternity ward /2

Continued from last month... Meetings between giants of different eras are intriguing and often very special. Lionel Hampton’s style was from the past, but he could...

Jazz, Latin and Modern Collection

This publication is the companion volume to Tim Richards’s recent Blues, Boogie and Gospel Collection, and it’s a new collection of contemporary repertoire for...


In the late 1940s the first wave of World War II novels began to appear. The positives were that the authors had actually served...

JJ 01/71: The Youth Jazz Orchestra at the Cockpit, London

The best thing about this November session at the Cockpit, the ILEA Arts Centre in Marylebone, was that there was no need at all...