Advertisement
Advertisement

Mike Westbrook: Love And Understanding – Citadel / Room 315 Sweden ’74

Reviewer rating
"If you've never heard this music, this is an excellent opportunity. If you treasure early Westbrook, you should still make room for this version"

It’s probably anathema to say that I prefer this version to the issued studio recording with British musicians. The Swedish Radio Jazz Group play Westbrook’s score with a cool reserve that makes sense of the music and reflects a strong early understanding of long-form composition in a modern jazz vein. The same players had worked with George Russell and it shows.

The Citadel music – named after the room in a tower block in Leeds where Westbrook found a piano that nobody else ever seemed to play – is similar in cast, though perhaps more thoughtfully and thoroughly conceived than the wonderful Metropolis. Both share a kind of panoramic view of the city: not just its bustle and human confrontation (a useful metaphor for a jazz composer), but also its moments of silence and even loneliness. There are desolate moments here, as there are on Metropolis, but also moments of private joy. 

Advertisement

No one was better qualified to run that gamut of expression than John Surman, who is the featured artist, soloing on soprano on Construction and Tender Love, bass clarinet on View From The Drawbridge and Bebop De Rigueur, and baritone on most of the rest. He solos on everything except the long Pastorale. He’s in superb voice, intense but playing with an uncanny naturalness and poise.

The Swedish players are more than merely professional. Bengt Hallberg takes a quirky solo on Pistache (Westbrook plays electric piano throughout and stays pretty much in the background), while Åberg, Lovgren, Gustafsson and the splendid Allan all make significant interventions.

Some will prefer the comradely heat of the British studio version, but this one has virtues that highlight the subtlety and openness of Westbrook’s writing, which is very much in the Ellington tradition, highlighting the soloists but constraining them enough to preserve the integrity of the composition.

If you’ve never heard this music, this is an excellent opportunity. If you treasure early Westbrook, you should still make room for this version.

Hear/buy Mike Westbrook: Love And Understanding – Citadel / Room 315 Sweden ’74 on Bandcamp

Discography
Overture; Construction; Pistache; View From The Drawbridge; Love And Understanding; Tender Love; Bebop De Rigueur; Pastorale; Sleepwalker Awaking In Sunlight; Outgoing Song; Finale (64.15)
Westbrook (cond, elp); John Surman (ss, bar, bcl, featured soloist); Americo Bellotto (t); Bertil Lövgren (t, flh); Jan Allan (t, ahn); Håkan Nyquist (t, flh, frh); Lars Olofsson (tb); Sven Larsson (btb, tu); Arne Domnérus (as, cl); Claes Rosendahl (ts, f); Lennart Åberg (ss, ts, f); Erik Nilsson (bs, bcl, f); Bengt Hallberg (p); Georg Riedel (b); Stefan Brolund (elb); Egil Johansen (d); Jan Bandel (d, vib, pc). Sweden, 1974.
My Only Desire MOD03

Advertisement
Advertisement

Jazz Journal articles by month

Advertisement

Chucho Valdés: 
Jazz Batá 2

This is a heavy-duty Latin jazz-orientated album, so if your interest in Latin grooves as a jazz listener doesn’t extend much further...
Advertisement

Still Clinging To The Wreckage 09/20

It is said that to copy from one person is plagiarism. To copy from two is research. I have...
Advertisement

Sonny Stitt: the early years, 1941-1952

Known as the "Lone Wolf", Sonny Stitt was constantly moving from town to town and city to city, attempting to find common...
Advertisement

Women In Jazz: The Women, The Legends & Their Fight

In the October 2017 issue of Jazz Journal, I reviewed Sammy Stein’s All That’s Jazz, and judged it to be simplistic, superficial,...
Advertisement

Billy Cobham: Jazz Legends, Live At The Palais Des Festivals Hall, Cannes 1989

Despite the sighting of two mullets and a mix dominated by a synth sound you would associate with Spandau Ballet, this 45-minute...
Advertisement

JJ 07/59: Chris Barber: Chris Barber Jazz Parade, Volume One

Offhand, I can't think of any Barber recording that I actually dislike. Always, with Chris, there is a light, attractive swing, and...