Advertisement
Advertisement

Henry Robinett Quartet: Jazz Standards Volume 1: Then

In brief:
"Light piano and guitar improvisations float over a consistently steady rhythm and a walking bass line. Having grown up under the influence of bebop, Robinett sounds more than comfortable within this setting"

Jazz Standards Volume 1 is a departure from Henry Robinett’s established body of work – trading in the Pat Metheny-esque lounge vibe for more of a classic cool jazz approach. It’s for this reason, as the guitarist and bandleader himself claims, that the album is being released 20 years after it was originally recorded.

Light piano and guitar improvisations float over a consistently steady rhythm and a walking bass line. Having grown up under the influence of bebop, Robinett sounds more than comfortable within this setting.

Advertisement

Alongside him, pianist Joe Gilman’s improvisations are particularly satisfying; clean and graceful with a natural flow which sounds like it could go unbroken for hours.

It’s a pleasant album, carrying with it an air of piano-bar jazz. This isn’t to use the term in a defamatory sense, but it’s a very accessible and unchallenging record – as an album of jazz standards is so often fated to be.

Nevertheless, there’s no reason why Jazz Standards Volume 1 should have remained unheard for 20 years. 

Discography
I Hear A Rhapsody; Yellow Days (La Mentira); The Days Of Wine And Roses; The Way You Look Tonight; Ill Wind; East Of The Sun; Invitation; Soul Eyes; Why Do I Love You?; Pinocchio (62.49)
Robinett (elg); Joe Gilman (p); Chris Symer (b); Michael Stephans (d). The Hangar, Sacramento, CA, 19-20 April 2000.
Nefertiti Records N121619

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Constant Stranger: Constant Stranger

In this quietly intense trio, plus guests, bassist Martin Nevin stands out for his stalwart and always interesting contributions, whether delivering vital pizzicato interruptions...
Advertisement

Obituary: Norman Simmons

Highly respected, especially by singers, throughout a long and fruitful career Norman Simmons was active as performer, composer, arranger and educator. He was born...
Advertisement

Scott Hamilton – tuned into Europe

The first time I saw Scott Hamilton live was at Chichester Jazz Club and ever since, I have had a connection to his sound....
Advertisement

Tubby Hayes – The Life Behind The Tenor

Mark Baxter, the writer and producer of the Tubby Hayes documentary, A Man In A Hurry, is the driving force behind Tubby Hayes –...
Advertisement

Ronnie’s – the life of Ronnie Scott and his world famous jazz club

As Ronnie Scott himself said, “only an idiot would open a jazz club in 1959". But he did, along with his close friend and...
Advertisement

JJ 05/59: Gene Ammons – Funky

From Gene Ammons we expect modern jazz in a booting, free-blowing, noisy tradition - and here we get it, starting with guitarist Kenny Burrell's...
"Light piano and guitar improvisations float over a consistently steady rhythm and a walking bass line. Having grown up under the influence of bebop, Robinett sounds more than comfortable within this setting"Henry Robinett Quartet: Jazz Standards Volume 1: Then