Ferdinando Romano: Totem

In brief:
"Trumpeter Alessi is for me the outstanding soloist in this set of colourful yet in places gossamer-light contemporary jazz"

Trumpeter Alessi is for me the outstanding soloist in this set of colourful yet in places gossamer-light contemporary jazz. Wolf Totem is the most memorable theme, or at least it was while I had the music on as apt accompaniment for writing this review, although in a sense themes are not relevant in music such as this, where the deeply reflective thoughts of the musicians take priority.

Such thoughts are to the fore on the lengthy Mirrors, before an episode of near abstraction ruffles the music’s surface. However while it comes as a welcome contrast, this episode also documents musicians for whom the realms of the free present a void they’re unable to face, let alone fill. That said, Alessi and Alessandrini’s collective improvising evokes a much earlier point (and place) in jazz history. Curly is heavy on the prosaically reflective, and while such a mood can provoke torpor, here the depth of sincerity lends proceedings a personal sheen even while it probably won’t be enough to keep particularly inquisitive documentary film makers from using it as incidental music.

Advertisement

Sea Crossing Parts 1 and 2 are unsurprisingly notable for continuity, with Alessandrini’s outing on the first part being him at his most animated, before everything literally stops for a very reflective piano interlude which had me checking to see if the break between parts 1 and 2 was marked by the abrupt change – it wasn’t.

Memories Reprise left me wondering about the future of the strain of contemporary jazz this album is emblematic of, namely one made by musicians who as far as I could hear were identifiable only by their note patterns, not the individuality of their tones or approaches. This is a very crowded field now, or at least it was before the virus brought the curtain down on live music as we know it, and the anonymity implied by my comments may not be enough to attract audiences either old or new once the new normal is something more than a term for casually dropping into conversation.

Find out more about Ferdinando Romano: Totem at ferdinandoromano.com

Discography
The Gecko; Evocation; Wolf Totem; Curly; Sea Crossing Part 1; Sea Crossing Part 2; Memories Reprise; Mirrors (56.13)
Ralph Alessi (t); Tommaso Iacoviello (flh); Simone Alessandrini (as, ss); Manuel Magrini (p); Nazareno Caputo (vib, mar); Ferdinando Romano (b); Giovanni Paolo Liguori (d) Cavalico, UD, Italy, October 2019.
Losen Records LOS 242-2

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Black String: Karma

This band made a stir on the folk and world-music scene with their 2017 debut album, Mask Dance, but has also made a dent...
Advertisement

Obituary: Bob Efford

Before leaving the UK for the USA in 1976, Bob Efford had become one of the most sought after session players in town. He...
Advertisement

Geoff Hearn: blues in space

Born in London in 1947 but for many years domiciled in Brighton and Hove, Geoff Hearn (ts, ss, bar, f) is a major figure...
Advertisement

Jazz Fiction: Take Two

Jazz has often featured in coming-of-age tales and less convincingly in crime fiction, its arcaneness chiming with the outsider narrative
Advertisement

Sarah Vaughan: Live

Aged 50 at the time, 1974, Sarah Vaughan is in her vocal prime here. This release presents two television shows that were under the...
Advertisement

JJ 03/63: John Coltrane – Plays The Blues

Sixty years ago Graham Boatfield thought Trane playing the blues might help rebuild an image squandered on 25 minutes of mediocrity in 1962
"Trumpeter Alessi is for me the outstanding soloist in this set of colourful yet in places gossamer-light contemporary jazz"Ferdinando Romano: Totem