Das Rad: Adios Al Futuro

In brief:
"Archer’s ability to meld elements of jazz, free rock, krautrock, electronica, country, blues, folk, classical and just the sounds of everyday is second to none. He has long since outrun genre and Das Rad is no exception"

Much – maybe most – of the best music coming out of Britain at the moment has Martin Archer’s thumbprint on it, either as player or enabler through his eclectic Discus imprint.

Das Rad is an improv album from the times, with modified portraits of BoJo, Vlad the Invader, Little Rocket Man and his American pal, the you’ve-been-Tangoed POTUS in a rogues’ gallery inside. There’s even a little origami-like doohickey included with the set which turns into a trompe l’oeil cube.

Advertisement

Not that you’ll be distracted from the music long enough. Archer’s ability to meld elements of jazz, free rock, krautrock, electronica, country, blues, folk, classical and just the sounds of everyday is second to none. He has long since outrun genre and Das Rad is no exception.

It’s a very nicely paced album as improv dates go. The three longer tracks are interleaved with shorter pieces. Pretty much everyone gets a whirl on keyboards, which makes it appropriately difficult at places to work out who’s doing what but Archer’s reeds, Nick Robinson’s guitars and Steve Dinsdale’s drums are the reference points and the homespun power-trio references aren’t overlooked.

This is a group that can generate some noise, or go into quieter and more detailed mode. The original krautrockers often didn’t know when to knock it off and crack a smile. Das Rad’s sense of impending disaster doesn’t stop them having a chuckle. Come November, we might well be needing it.

Buy Das Rad: Adios Al Futuro at discus-music.co.uk

Discography
Inside Reverse; Buzz Line; Deuce Of Gears; Adios Al Futuro; Eisblume; Rothko Strobe/Another Place; Oslo Star; Tiefes Blau (58.33)
Martin Archer (reeds, kyb, syn b, elec); Nick Robinson (g, elg, kyb, elec); Steve Dinsdale (d, kyb, elec).
Discus 94

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Bobby Watson, Vincent Herring, Gary Bartz: Bird At 100

August 2020 saw the 100th anniversary of the birth of Charlie Parker. By then he had been dead for more than 65 years but...
Advertisement

Obituary: Glyn Callingham

It’s with great sadness that I learned of the recent death of my close friend and ex-colleague, Glyn Callingham. Glyn came to work at...
Advertisement

Trumping the future: The Manchurian Candidate

Richard Condon’s book The Manchurian Candidate was published in 1959 and quickly became a best-seller. It was described by The New Yorker as “a...
Advertisement

Scenes: photography by George Nelson

Photographer George Nelson has more than 24 years' experience, and his passion for the camera is clearly matched by his passion for jazz in...
Advertisement

Bolden

I learned everything I know about Buddy Bolden from Hear Me Talkin’ To Ya, the one indispensable book about jazz from soup to nuts,...
Advertisement

JJ 04/70: The Problem of Pop, by Richard ‘Dig’ Fairweather

'Humphrey Lyttelton’s famous "I ask myself if I want the New Statesman – breathing hotly down my neck every time I lift up the trumpet to blow?" (The Second Chorus, MacGibbon & Kee, 1958) foresaw the days, now with us, when jazz has been dragged from pit to respectability, com­plete with Arts Council Grants and unlimited space in the Sunday press'
"Archer’s ability to meld elements of jazz, free rock, krautrock, electronica, country, blues, folk, classical and just the sounds of everyday is second to none. He has long since outrun genre and Das Rad is no exception"Das Rad: Adios Al Futuro