Jim Robitaille Trio: Space Cycles

In brief:
"Space Cycles explores post-bop jazz, in line with Robitaille’s previous trio work, yet nonetheless provides us with calming, moody, eerie and luxuriant tracks"

After time in a larger group, Jim Robitaille has returned to his better-known format of his spacious-sounding trio. Joined by Bill Miele on electric bass and Chris Poudrier on drums, the sounds Robitaille creates express great variety in style and mood.

He plays mostly electric guitar, with use of an acoustic nylon-string guitar for tracks When We Passed and Never Never Land. Additionally, this eighth track is one of three covers included in this album, originating from the 1954 broadway version of Peter Pan; the other two cover the jazz standard Baubles, Bangles And Beads, and the Beatles’ Here, There And Everywhere.

Advertisement

Space Cycles explores post-bop jazz, in line with Robitaille’s previous trio work, yet nonetheless provides us with calming, moody, eerie and luxuriant tracks. One track, When We Passed, exhibits an embracing and profound melancholy. Robitaille’s switch to his nylon-string acoustic guitar here only heightens this track’s tenderness and thoughtful beauty. Poudrier offers sensitive brushwork alongside Miele’s melodic bass solo.

From the start of this album there’s an entrancing effect. Instantly the listener is at ease hearing how wonderfully the trio communicate with one another, as the music weaves between them. The title track is lively and enjoyable, with Miele and Poudrier creating adventurous rhythms whilst Robitaille produces some of the most impressive and elaborate solo lines on the whole album.

As a whole, Robitaille’s Space Cycles illustrates the trio’s capacity to play together in ways which magnify their kinship with one another’s playing. This affinity helps to generate warming and animating music, sustained throughout the entirety of Space Cycles.

Discography
Natural Selection; Transitions; When We Passed; Space Cycles; Baubles, Bangles And Beads; February 12th; Nocturne; Never Never Land; Here, There And Everywhere; Chance Meeting (53.15)
Robitaille (g); Bill Miele (elg); Chris Poudrier (d). Dartmouth, MA, April 2020.
Whaling City Sound WCS 122

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Yusef Lateef: Atlantis Lullaby

Reflecting the times, this 1972 concert from Avignon has the woodwind maverick playing soul-jazz, a wall of sound jam and extended standards
Advertisement

Still Clinging To The Wreckage 07/20, part 2

Inevitably the Mosaics must be listed. The only one still in the catalogue is the recent The Complete Woody Herman Decca, Mars And MGM...

Obituary: Paul Ryan

Obituary: Quincy Jones

Obituary: Lyle Mays

Advertisement

Jan Sturiale releases new record, In The Life

Guitarist Jan Sturiale was attracted to the instrument at any early age and his exposure to a variety of styles has led him to...
Advertisement

Shellac And Swing!

The subtitle of this book is "A social history of the gramophone in Britain". That may suggest a rather dry treatise but I’m glad...
Advertisement

Count Basie – Through His Own Eyes

This is an excellently assembled documentary which tells us a good deal more about Basie as a person than could be gleaned from his...

Jazz On A Summer’s Day

Billie

Advertisement

JJ 06/63: Death Of A Music?

The idea that jazz is the new classical music wasn't born in the 1980s. It was posited 60 years ago in Henry Pleasants' prescient little book
"Space Cycles explores post-bop jazz, in line with Robitaille’s previous trio work, yet nonetheless provides us with calming, moody, eerie and luxuriant tracks"Jim Robitaille Trio: Space Cycles