Advertisement
Advertisement

W. Allen Taylor: Storyteller

In brief:
"Accompanied by a relaxed and attentive quartet, his smooth, attractive voice is characterised by good diction, pitch and clarity"

Taylor is a vocalist and actor, based in the Bay Area of San Francisco before moving to Washington D.C. a few years ago, and this, his debut album, shows a good deal of respect for the straightahead modern post-bop tradition in the choice of material.

Accompanied by a relaxed and attentive quartet, his smooth, attractive voice is characterised by good diction, pitch and clarity, even in the quicker tempos and when using scat, and he’s not averse to using flattened notes, in true bebop fashion.

Advertisement

Original arrangements are followed closely, as in the case of So What, where he uses Eddie Jefferson’s lyrics, the rhythm section moving it along fluently before Lionel Lyles’ impressive tenor break. The saxophonist also is featured on Mingus’s tribute to Lester Young, Goodbye Pork Pie Hat, producing a suitably laidback and pure-toned solo and Taylor drawing on the lyrics of Rahsaan Roland Kirk.

Musical director and accomplished pianist Chris Grasso uses his light, melodic touch to good effect throughout, not least on the Bobby Troup composition, You’re Looking At Me, totally in keeping with the feel of the song, and on the Strayhorn/Ellington Day Dream.

In the sleeve notes, Taylor states that as a singer he’s always been fascinated by the stories that he’s inspired to tell (hence the album title), and wanting to pay homage to the artists who created the songs. Throw It Away is a good case in point, where he poignantly delivers the Abbey Lincoln Latin-inflected song with feeling, supported sympathetically by Grasso’s piano and Lyles’ soprano, following closely the vocal line.

The album concludes with an uptempo Night In Tunisia, controlled and directed by a lively rhythm section which manages the changes skilfully, with momentum and drive from James King’s bass and drummer Mark Prince.

For more info on the album and artist, please visit watjazz.com. To buy or stream the album, please visit wallentaylor.hearnow.com

Discography
So What; Star Eyes; You’re Looking At Me; Gee Baby, Ain’t I Good to You; Day Dream; Doxy; Throw It Away; Goodbye Pork Pie Hat; A Night In Tunisia (41.45)
Taylor (v); Chris Gasso (p); Lionel Lyles (ts, ss); James King (b); Mark Prince (d). Takoma Park, Maryland. Released 2020.
Wat Jazz 001

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Gediminas Karkauskas: Lost Suite

When one reads in reviews that Lithuanian jazz pianist and composer Gediminas Karkauskas’s debut CD is “a jazz album with classical influences”, one could...
Advertisement

Count Me In 02/21

There are historical parallels between jazz and photography - both were nascent (primitive, if you like) in the second half of the 19th century....
Advertisement

Don Joseph, jazz poet /1

The reputation of trumpeter Don Joseph (1923-1994) now depends on the slimmest of discographies. These performances reveal a technically fluent soloist with a disarmingly...
Advertisement

Superstride – Johnny Guarnieri

Johnny Guarnieri was telling an audience of the perils of auditioning for Benny Goodman. “Did you get the job?” someone called out. “I got...
Advertisement

Ella Fitzgerald: Just One of Those Things

“And then there is Ella, about whom critics have surprisingly little to say, other than to state that she is the ultimate jazz singer...
Advertisement

JJ 09/70: The Manne at Scott’s

July's visitors to Ronnie Scott's were the Shelly Manne Sextet, a group of young players led by the doyen of West Coast percussionists, Shelly...