Advertisement
Advertisement

W. Allen Taylor: Storyteller

In brief:
"Accompanied by a relaxed and attentive quartet, his smooth, attractive voice is characterised by good diction, pitch and clarity"

Taylor is a vocalist and actor, based in the Bay Area of San Francisco before moving to Washington D.C. a few years ago, and this, his debut album, shows a good deal of respect for the straightahead modern post-bop tradition in the choice of material.

Accompanied by a relaxed and attentive quartet, his smooth, attractive voice is characterised by good diction, pitch and clarity, even in the quicker tempos and when using scat, and he’s not averse to using flattened notes, in true bebop fashion.

Advertisement

Original arrangements are followed closely, as in the case of So What, where he uses Eddie Jefferson’s lyrics, the rhythm section moving it along fluently before Lionel Lyles’ impressive tenor break. The saxophonist also is featured on Mingus’s tribute to Lester Young, Goodbye Pork Pie Hat, producing a suitably laidback and pure-toned solo and Taylor drawing on the lyrics of Rahsaan Roland Kirk.

Musical director and accomplished pianist Chris Grasso uses his light, melodic touch to good effect throughout, not least on the Bobby Troup composition, You’re Looking At Me, totally in keeping with the feel of the song, and on the Strayhorn/Ellington Day Dream.

In the sleeve notes, Taylor states that as a singer he’s always been fascinated by the stories that he’s inspired to tell (hence the album title), and wanting to pay homage to the artists who created the songs. Throw It Away is a good case in point, where he poignantly delivers the Abbey Lincoln Latin-inflected song with feeling, supported sympathetically by Grasso’s piano and Lyles’ soprano, following closely the vocal line.

The album concludes with an uptempo Night In Tunisia, controlled and directed by a lively rhythm section which manages the changes skilfully, with momentum and drive from James King’s bass and drummer Mark Prince.

For more info on the album and artist, please visit watjazz.com. To buy or stream the album, please visit wallentaylor.hearnow.com

Discography
So What; Star Eyes; You’re Looking At Me; Gee Baby, Ain’t I Good to You; Day Dream; Doxy; Throw It Away; Goodbye Pork Pie Hat; A Night In Tunisia (41.45)
Taylor (v); Chris Gasso (p); Lionel Lyles (ts, ss); James King (b); Mark Prince (d). Takoma Park, Maryland. Released 2020.
Wat Jazz 001

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Ben Wolfe: Unjust

Bassist Wolfe adds variety to a predominantly straight-ahead session via changing lineups including Nicholas Payton and Joel Ross
Advertisement

Still Clinging to the Wreckage 10/20

There’s a good case for claiming that the Vic Dickenson Septet date of 29 December 1953 is one of the finest jazz recordings ever...
Advertisement

J.J. Johnson and Kai Winding: the early years /2

Kai Winding was born in Aarhus, Denmark, 18 May 1922, and emigrated with his family to the USA in 1934. He was largely self-taught...
Advertisement

Bath To Fleet Street: Anecdotes And Pictures From My Journey

Press photographer Geoff Ellis's recollections of jazz in the West Country include lamenting the poor turnouts for Earl Hines and Willie “The Lion” Smith...
Advertisement

Oscar Peterson: Black + White

Film tribute to the pianist has valuable footage of OP and testimony from other musicians but doesn't convey his real significance
Advertisement

JJ 06/63: Dizzy Reece – Asia Minor

British trumpeter Reece moved to NYC in 1959 and four years later Steve Voce welcomed his date with Joe Farrell, Hank Jones, Ron Carter et al
"Accompanied by a relaxed and attentive quartet, his smooth, attractive voice is characterised by good diction, pitch and clarity"W. Allen Taylor: Storyteller