HiFiLo: Speak Your Name

In brief:
"...a huge degree of subtle experimentation here, and fans of synthetic sound and dance are sure to luxuriate in the ethereal world to which it beckons"

Toronto-based producer, pianist and keyboardist HiFiLo is actually Todd Pentney, a gifted session musician who has performed and recorded with acts such as Yuka, re.verse, Aphrose, Maya Killtron, Gray Matter and the Allison Au Quartet (he produced the saxophonist’s three albums The Sky Was Blue, Then Gray, Wander Wonder and Forest Grove, which won the 2016 Juno Award for Best Jazz Album of the Year: Group).

While it’s virtually all his own work, HiFiLo’s debut album Speak Your Name also sees him joined by multi-instrumentalist Rob Christian on flute (OKA, Eddie Bullen, God Made Me Funky, Kush, Irene Torres, the Sugar Devils), guitarist Robb Cappelletto (Lord Finesse, Shad, Saukrates, APB, Skratch Bastid, Keys n Krates, A Tribe Called Red) and singer/composer Alex Samaras, who has worked with Meredith Monk, Brent Carver, Marvin Hamlisch and the Zac Brown Band.

Advertisement

This esoteric and decidedly ambient offering opens on the calming synth sounds of Pink Elephants with its underlying pulsing rhythm and bubble effects. It’s laid back, relaxing and danceable but doesn’t seem to go anywhere – maybe that’s the point. Wanderlust is mellower, more layered synthesisers and bubble & wah effects melding nicely with Christian’s flute which gets busier as the tune progresses, while the title track incorporates Samaras’s improvised vocals over a thumping rhythm. The sound of rain is reflected in the opening percussion of Downpour, which morphs into a more feisty rhythm with busy electric piano and some tricky guitar work from Cappelletto, while The Collective Perspective opts for more multilayered synths and a relentless programmed drum sound.

Rebirth features a bouncy, synthesised rhythm reminiscent of Pink Floyd’s On The Run, while Emanation introduces an altogether darker mood with its deep, resonating bass sounds which give an ominous tone to the proceedings, before sequeing into the infectious dance vibes of FTL. The closing Tangerines, with its far-off backing vocals, semi-rap rhythm and HiFiLo’s superb jazzy piano is the best cut here.

Mellow, ambient and undeniably laid back, this album from a talented musician and producer is pleasant, but lacks the discord of more melodically challenging offerings. Certainly there are echoes of Krafwerk, Keith Jarrett and the Beach Boys (see Surf’s Up, for instance). Despite its mellifluous popular tone, there is still a huge degree of subtle experimentation here, and fans of synthetic sound and dance are sure to luxuriate in the ethereal world to which it beckons.

Discography
Pink Elephants; Wanderlust; Speak Your Name; Downpour; The Collective Perspective; Rebirth; Emanation; FTL; Gradients; Tangerines (32.12)
HiFiLo (kyb, syn, prog, effects); Rob Christian (f on 2); Alex Samaras (v on 3); Robb Cappellette (g on 4). Toronto, Canada, 2020.
HiFiLo.com

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Mark Guiliana: The Sound Of Listening

The drummer presents the results of his pursuit of mindfulness but still finds space for high-octane breaks and mind-boggling metric games
Advertisement

Obituary: Keith Tippett

When Hazel Miller phoned me on Sunday to say that Keith Tippett had died, I felt it was like the end of an era;...
Advertisement

Benjamin Croft: return to the future

“I would describe it as prog rock/jazz fusion,” asserts keyboard player Benjamin Croft of his new album Far And Distant Things. “There are so...
Advertisement

Chasing The Masters – First Takes Of A Modern Drumming Artist

Phil Haynes pieces together his life through a mixture of memoir, poetry, sleeve notes, reviews, drawings and letters
Advertisement

Miles Davis: Birth Of The Cool – the DVD

Stanley Nelson's bio-doc of Miles Davis (reviewed in theatrical form in February) not only takes its title from the name of one of the...
Advertisement

JJ 06/85: Pat Metheny at Hammersmith Odeon, London

Forty years ago, Mark Gilbert enjoyed a passage of downhome bluesy swing in a set that otherwise often suggested film scoring might be Metheny and Lyle Mays' true vocation
"...a huge degree of subtle experimentation here, and fans of synthetic sound and dance are sure to luxuriate in the ethereal world to which it beckons"HiFiLo: Speak Your Name