HiFiLo: Speak Your Name

In brief:
"...a huge degree of subtle experimentation here, and fans of synthetic sound and dance are sure to luxuriate in the ethereal world to which it beckons"

Toronto-based producer, pianist and keyboardist HiFiLo is actually Todd Pentney, a gifted session musician who has performed and recorded with acts such as Yuka, re.verse, Aphrose, Maya Killtron, Gray Matter and the Allison Au Quartet (he produced the saxophonist’s three albums The Sky Was Blue, Then Gray, Wander Wonder and Forest Grove, which won the 2016 Juno Award for Best Jazz Album of the Year: Group).

While it’s virtually all his own work, HiFiLo’s debut album Speak Your Name also sees him joined by multi-instrumentalist Rob Christian on flute (OKA, Eddie Bullen, God Made Me Funky, Kush, Irene Torres, the Sugar Devils), guitarist Robb Cappelletto (Lord Finesse, Shad, Saukrates, APB, Skratch Bastid, Keys n Krates, A Tribe Called Red) and singer/composer Alex Samaras, who has worked with Meredith Monk, Brent Carver, Marvin Hamlisch and the Zac Brown Band.

Advertisement

This esoteric and decidedly ambient offering opens on the calming synth sounds of Pink Elephants with its underlying pulsing rhythm and bubble effects. It’s laid back, relaxing and danceable but doesn’t seem to go anywhere – maybe that’s the point. Wanderlust is mellower, more layered synthesisers and bubble & wah effects melding nicely with Christian’s flute which gets busier as the tune progresses, while the title track incorporates Samaras’s improvised vocals over a thumping rhythm. The sound of rain is reflected in the opening percussion of Downpour, which morphs into a more feisty rhythm with busy electric piano and some tricky guitar work from Cappelletto, while The Collective Perspective opts for more multilayered synths and a relentless programmed drum sound.

Rebirth features a bouncy, synthesised rhythm reminiscent of Pink Floyd’s On The Run, while Emanation introduces an altogether darker mood with its deep, resonating bass sounds which give an ominous tone to the proceedings, before sequeing into the infectious dance vibes of FTL. The closing Tangerines, with its far-off backing vocals, semi-rap rhythm and HiFiLo’s superb jazzy piano is the best cut here.

Mellow, ambient and undeniably laid back, this album from a talented musician and producer is pleasant, but lacks the discord of more melodically challenging offerings. Certainly there are echoes of Krafwerk, Keith Jarrett and the Beach Boys (see Surf’s Up, for instance). Despite its mellifluous popular tone, there is still a huge degree of subtle experimentation here, and fans of synthetic sound and dance are sure to luxuriate in the ethereal world to which it beckons.

Discography
Pink Elephants; Wanderlust; Speak Your Name; Downpour; The Collective Perspective; Rebirth; Emanation; FTL; Gradients; Tangerines (32.12)
HiFiLo (kyb, syn, prog, effects); Rob Christian (f on 2); Alex Samaras (v on 3); Robb Cappellette (g on 4). Toronto, Canada, 2020.
HiFiLo.com

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Conrad Herwig: The Latin Side Of Mingus

The trombonist's typically spirited reading of another jazz luminary turns even Goodbye Porkpie Hat into a foot-tapping swinger
Advertisement

Still Clinging To The Wreckage 08/22

How in 1951 clarinettist Edmond Hall resisted Columbia Pictures' efforts to keep southern audiences sweet by excluding 'the Negro'
Advertisement

Delfeayo Marsalis: ‘To say the epicentre of jazz has moved is ridiculous’

The New Orleans trombonist rejects the fashionable late idea, beloved of the fonder critics round here, that Europe is now the focus of jazz invention
Advertisement

Prehistory Of Jazz

Maximilian Hendler minimises the significance of Africa in the development of jazz, pointing out that much came from Europe
Advertisement

Green Book

Fifty-six years after LBJ officially ended racial discrimination in the USA with the pen-stroke that signed the Civil Rights Act, the years immediately preceding...
Advertisement

JJ 04/95: Steve Grossman – Time To Smile

Thirty years ago Derek Ansell reviewed the tenorist in a well-planned and expressive straightahead session with Tom Harrell, Willy Pickens, Cecil McBee and Elvin Jones
"...a huge degree of subtle experimentation here, and fans of synthetic sound and dance are sure to luxuriate in the ethereal world to which it beckons"HiFiLo: Speak Your Name