Advertisement
Advertisement

Henry Robinett Quartet: Jazz Standards Volume 1: Then

In brief:
"Light piano and guitar improvisations float over a consistently steady rhythm and a walking bass line. Having grown up under the influence of bebop, Robinett sounds more than comfortable within this setting"

Jazz Standards Volume 1 is a departure from Henry Robinett’s established body of work – trading in the Pat Metheny-esque lounge vibe for more of a classic cool jazz approach. It’s for this reason, as the guitarist and bandleader himself claims, that the album is being released 20 years after it was originally recorded.

Light piano and guitar improvisations float over a consistently steady rhythm and a walking bass line. Having grown up under the influence of bebop, Robinett sounds more than comfortable within this setting.

Advertisement

Alongside him, pianist Joe Gilman’s improvisations are particularly satisfying; clean and graceful with a natural flow which sounds like it could go unbroken for hours.

It’s a pleasant album, carrying with it an air of piano-bar jazz. This isn’t to use the term in a defamatory sense, but it’s a very accessible and unchallenging record – as an album of jazz standards is so often fated to be.

Nevertheless, there’s no reason why Jazz Standards Volume 1 should have remained unheard for 20 years. 

Discography
I Hear A Rhapsody; Yellow Days (La Mentira); The Days Of Wine And Roses; The Way You Look Tonight; Ill Wind; East Of The Sun; Invitation; Soul Eyes; Why Do I Love You?; Pinocchio (62.49)
Robinett (elg); Joe Gilman (p); Chris Symer (b); Michael Stephans (d). The Hangar, Sacramento, CA, 19-20 April 2000.
Nefertiti Records N121619

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Dmitry Baevsky: Kid’s Time

France-based Russian altoist is accompanied by bass, drums and guest trumpet in a set characterised by a light, infectious bounce
Advertisement

Obituary: Howard Riley

“Only posterity will show whether Howard Riley is a European Cecil Taylor, an avant-garde John Lewis, a jazz Stockhausen or the Howard Riley” reported...
Advertisement

Viola Smith, still laying it down at 107

On 29 November this year, jazz and show drummer Viola Smith will celebrate her 107th birthday. Amazingly, she still occasionally plays with bands in...
Advertisement

Formation: Building A Personal Canon, Part One

Raw, confessional first instalment of what is essentially Brad Mehldau's biography reveals personal trouble that he hopes music helps remedy
Advertisement

Sarah Vaughan: Live

Aged 50 at the time, 1974, Sarah Vaughan is in her vocal prime here. This release presents two television shows that were under the...
Advertisement

JJ 05/65: In My Opinion – Mark Murphy

Sixty years ago, before his UK work permit expired, Mark Murphy remarked on such as Jimmy Rushing, Ella Fitzgerald and Joe Turner, on the idiocy of likening Cleo Laine to Billie Holiday and on the negativity creeping in among young jazz players
"Light piano and guitar improvisations float over a consistently steady rhythm and a walking bass line. Having grown up under the influence of bebop, Robinett sounds more than comfortable within this setting"Henry Robinett Quartet: Jazz Standards Volume 1: Then