Advertisement
Advertisement

Laurent Nicoud: Outline

In brief:
"...there is a conflict in terms of genres and it could be argued that this is a form of hybrid music. But this never detracts from the overall effect and the high quality of the compositions and performances"

Judging by the opening track, Voice For Ages, pianist Laurent Nicoud’s expressive rubato playing might be misconstrued as diffident. But this is simply the result of Nicoud’s thought processes being translated onto the keys of the piano. If the tunes betray a degree of formality this is surely the result of Nicoud’s classical training which the 27-year-old Swiss-born pianist undertook from the age of six.

In 2001 he commenced studies at Neuchâtel Music Conservatory. In 2003 at the age of 12, he made his first appearance as a soloist playing a concerto-rondo of Mozart with Camerata Stravaganza in Neuchâtel as part of a concert series organised by the Conservatory. In 2007, he began his professional studies at Geneva University of Music acquiring his bachelor and master’s degrees over a five-year period. In 2010 he played with a symphony orchestra for the first time at Geneva University and in 2012 he played Gershwin’s Piano Concerto in F with the Geneva Symphonic Orchestra.

Advertisement

Nicoud’s introduction to jazz came in his teenage years when, in 2007, he started playing in a group with friends from high school. By 2010 he had formed his first trio with bass and drums. In 2017 and 2018 he lived in New York City where he studied jazz and composition with pianists Jacob Sacks and Shai Maestro and whilst in Brooklyn, he also recorded Outline.

It’s noticeable that Nicoud’s right hand evinces some of the more classical-influenced lines, often sounding like speeded-up Erik Satie tunes, but his left hand often conjures-up more recognisably jazz-infused chords. So, there is a conflict in terms of genres and it could be argued that this is a form of hybrid music. But this never detracts from the overall effect and the high quality of the compositions and performances, which are subtly and surprisingly satisfying. Tracks such as the contrapuntally complex Ostinato #3 and In Front Of A Tree And A Light are evidence of Nicoud’s undeniable virtuosity.

Hear/buy Laurent Nicoud: Outline at qftf.bandcamp.com

Discography
Voice For Ages; Bird’s Levitation; Ostinato; In Front Of A Tree And A Light; Louffoque; Far Ahead; Outline; Weird Spaces; Ocean; Groove in E-Flat; 09.05.2018; One In E Major (56.44)
Nicoud (p). Brooklyn, 20 June 2018.
QFTF/159

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Chris Burn / Philip Thomas: As If As

These pieces are compositions by Chris Burn, except for From Ten, Two and Three, his arrangements of six guitar solos by the late Derek...
Advertisement

Obituary: Bob Hammer

Though not a household name, arranger, composer and pianist Bob Hammer worked with many jazz greats during a long and varied career. Bob learned...
Advertisement

Back Door – bless their old boots /1

When Back Door released their self-titled debut in 1972 they caused something of a media frenzy in the UK, a not insignificant achievement when...
Advertisement

Song For Someone: The Musical Life Of Kenny Wheeler

I first heard Wheeler on recordings with the John Dankworth band, then live and on record with the Mike Westbrook Concert Band where, in...
Advertisement

In Cold Blood

The film In Cold Blood, based upon Truman Capote’s book about the murders of the Clutter family in Kansas in 1959, is here re-released...
Advertisement

JJ 05/61: Swedish Modern Jazz Group – Sax Appeal

A few years ago, Swedish modern jazz enjoyed a fair measure of popularity in this country. Cool jazz was the thing then, and to...
"...there is a conflict in terms of genres and it could be argued that this is a form of hybrid music. But this never detracts from the overall effect and the high quality of the compositions and performances"Laurent Nicoud: Outline