Advertisement
Advertisement

mu:n: Fabrics

In brief:
"Djamal Moumène, who wrote all the compositions on this debut album, studied music at Zurich University of the Arts and is a fine guitarist"

This young Swiss quartet started out under the name of MÈNE but changed its moniker to mu:n perhaps to signal a briefer, more cryptic abbreviation of their leader’s name than the previous one. Djamal Moumène, who wrote all the compositions on this debut album, studied music at Zurich University of the Arts and is a fine guitarist. His style and tone, certainly as revealed on Fabrics, are not dissimilar to that of the late John Abercrombie, characterised by swirls of glissandi and jangly, echoey runs of notes.

His fellow bandmates comprise a vibrant contingent of the contemporary Swiss jazz scene. Tobias Pfister is an in-demand saxophonist and member of the Zurich Jazz Orchestra and is also an alumnus of Zurich University of the Arts. In addition to his work with mu:n, bassist Vito Cadonau is a member of Qataraqt and WHC-Trio. Drummer Noah Weber’s academic career has been illustrious; he initially studied at the Jazz School Basel and Lucerne University of Applied Sciences. In 2019 he completed a Master of Arts in Performance including an exchange semester in Ghent and is currently studying for a Master of Arts in music education at the Zurich University of the Arts. Pfister, Caonau and Weber are also members of the quintet Ramur along with trombonist Maurus Twerenbold and pianist Kenny Niggli.

Advertisement

Even from the opening track Erasure Now, there are plentiful examples of the quartet’s virtuosity, Weber’s percussive fanfare heralding convincing guitar from Moumène countered by Cadonau’s deeply resonant double bass and Pfister’s wave-like tenor. The sense of wistful lyricism also spans much of the record’s hour-plus performance.

But there are some notable exceptions. Illuminating features the whispery vocals of Ursula Bachman and Image Immobile showcases Sophie Adam’s spoken poetry in French. These however are the only two tracks with words. Of the album’s other outliers, Fragile is a short vehicle for Pfister with only the lightest of accompaniment. Planets is a sparse outing for Moumène, whose limpid, plangent lines reverberate throughout the piece. Glatsch presents an opportunity for Cadonau to play a spacey, arco solo, reminiscent of virtuoso bassist Barre Phillips. Finally, Weber gets to unleash a tastefully restrained cavernous performance which segues into the gently building closer SHI(F)T which ultimately concludes in an uplifting crescendo and sudden ending.

Hear/buy mu:n: Fabrics at qftf.bandcamp.com

Discography
(1) Erasure Now; (2) Illuminating; (1) Stars; Fragile; Antifragile; Mantra #1; Planets; Alien!!!; (3) Image Immobile;(1) L’Étranger; Glatsch; Moscow I; A New Earth; SHI(F)T (64.20)
Djamal Moumène (elg); Tobias Pfister (ts); Vito Cadonau (b); Noah Weber (d). (2) add Ursula Bachman. (3) add Sophie Adam (v). No location, January 2020.
QFTF /163

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Various: Down Home Blues – New York, Cincinnati & The North Eastern States

This is the third box set in Wienerworld’s blues series that explores the different regions of the black American blues scene. (The first two...
Advertisement

Obituary: Barbara Thompson

It’s axiomatic to aver that Barbara Thompson, who passed away 9 July 2022, was the greatest female jazz musician that the UK has produced....
Advertisement

Harold Jones: the musician’s drummer /2

Harold’s reliable presence on the club scene brought him to the attention of local recording companies, notably Vee-Jay, where he established himself as one...
Advertisement

Bangkok After Dark

Have you ever heard of Maurice Rocco? Probably not, and I certainly hadn’t before receiving this book for review. But, look him up in...
Advertisement

Green Book

Fifty-six years after LBJ officially ended racial discrimination in the USA with the pen-stroke that signed the Civil Rights Act, the years immediately preceding...
Advertisement

JJ 11/81: Arthur Blythe at the 100 Club, London

For its visit to London, Arthur Blythe's brilliant quintet became a quartet, due to the indisposition of cellist Abdul Wadud. Having recently heard the...
"Djamal Moumène, who wrote all the compositions on this debut album, studied music at Zurich University of the Arts and is a fine guitarist"mu:n: Fabrics