Advertisement
Advertisement

Charles Tolliver: Connect

In brief:
As an example of contemporary jazz in the classic tradition from the 40s onwards, this is a sterling session, original, well played and extremely well recorded.

This album was a result of an arrangement by Tolliver’s agent with Darrel Sheinman of Gearbox Records when the band came through London. It was a full European tour and to add to the regular combo, Darrel suggested UK tenor sax man Binker Golding, who plays on two of the four selections here.

All the music was written by Tolliver and he has added poems for three of the selections, printed on the back liner. Tolliver has been around and was first heard with Jackie McLean when he played and recorded with him in the mid-1960s.

Advertisement

First up is Blue Soul, a slow blues where Tolliver plays in a choppy manner, using half-valve squeezed effects and growls during his extended solo. Altoist Davis is more restrained, with a soft-focus alto solo and the main thrust comes from Lenny White’s driving drums. Pianist and bass player provide solid support. Emperor March is also a fairly slow composition although Tolliver plays in a more forthright, brassy manner with a preaching, bluesy contribution from Golding on tenor, who does well here as well as on his second contribution.

Copasetic is at a relatively brisk tempo and has good ensemble playing from the horns and some tasty solos. Suspicion is a long track with another example of strong ensemble work, this time from the three-man line up of horns. White’s drums are again driving, and prominent and bassist Davis is strong in support and solo. The music overall is post-bop and blues with occasional nods towards a rather free approach.

The vinyl sound is first class, as all Gearbox releases tend to be, not surprising as much care is taken in the all-analogue approach, with much of the listed equipment used closely resembling the set up used by the late Rudy Van Gelder on his classic Blue Note discs of the late 50s and 60s. The set is available also on CD with the same catalogue number and the words CD added at the end. 

As an example of contemporary jazz in the classic tradition from the 40s onwards, this is a sterling session, original, well played and extremely well recorded.

Discography
Blue Soul; Emperor March; Copasetic; Suspicion (39.17)
Tolliver (t); Jesse Davis (as); Binker Golding (ts); Keith Brown (p); Buster Williams (b); Lenny White (d). London, 2019.
Gearbox 1561, vinyl

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Heinrich von Kalnein: Möbius Strip

This double album release combines two of Kalnein’s recordings to celebrate his 60th birthday. The first, Into The Now! – Improvisations is the result...
Advertisement

Obituary: Spike Heatley

Spike Heatley was the good friend I never met. We communicated on Facebook over the years and got to know each other. I reviewed...
Advertisement

Allison Neale: picking up the thread

The woodwind player is one of many who have embraced the modern mainstream repertoire that was eclipsed by the expansions of the 60s and 70s
Advertisement

Outside And Inside: Race And Identity In White Jazz Autobiography

In 2004, Reva Marin was a finalist for the Fleck Award for the best book in the category Canadian Children’s Non-Fiction. Her entry was...
Advertisement

Ronnie’s: Ronnie Scott and His World-Famous Jazz Club

Ronnie Scott was, as someone once put it, a very interesting bunch of guys and Oliver Murray has got together a very interesting bunch...
Advertisement

JJ 07/70: Art Farmer talks to Fred Bouchard

'It seems to me to be far easier to play on a good melody than to blow a lot of these "non-tunes" based on...
As an example of contemporary jazz in the classic tradition from the 40s onwards, this is a sterling session, original, well played and extremely well recorded.Charles Tolliver: Connect