Day Dream: Originals

In brief:
"...the individuality of this piano trio proves to be one of the most compelling aspects of Originals, making it a huge delight to immerse oneself in, again and again"

Originals, the Day Dream trio’s third record of this decade, focuses on all original material, composed by pianist Steve Rudolph, bassist Drew Gress and drummer Phil Haynes. Having worked together empathetically, these three musicians hoped to expand and explore their collective capabilities with this third album, through their untethered, distinctive voices, not fixed to one particular genre or style.

Perhaps, as Rudolph comments, their “very sympathetic approach to music” is due to their longstanding history: Haynes and Gress have worked together since the mid-80s in New York, and Haynes and Rudolph met just after the turn of the millennium. Gress’s understanding of leading ensembles, and Haynes’ “adventurous spirit” combine to shape their escape from reality into this transcendent music. The album also benefits from Rudolph’s experience as producer, arranger and performer on many recordings over 50 years of professional music making.


Originals proves to be an adventurous yet nonetheless lyrical and exciting album. Individually these three musicians exhibit elegance, versatility, and unpredictability, qualities that radiate through all 10 tracks. There’s a diverse range, from the most touching of tracks, Rudolph’s Last Lullaby, bittersweetly lamenting the end of something, to the abrupt funk laid out from the very start of Gress’s Spell.

Perhaps the most intriguing memory attached to one of these compositions is Gress’s Vesper, which stands as a recollection of evening prayer during his Catholic upbringing; the track does not obviously convey these connotations, suggesting a striking and perhaps unusual relation between the bassist’s spirituality and jazz.

Overall, the individuality of this piano trio proves to be one of the most compelling aspects of Originals, making it a huge delight to immerse oneself in, again and again.

Zebra; Wedding Waltz; Beloved Refracted; Afterward; Vesper; Last Lullaby; Spell; Bossa 21; Paul – Christian; Let Fly (57.45)
Steve Rudolph (p); Drew Gress (b); Phil Haynes (d). Bucknell University, Lewisburg, Pennsylvania, 1-2 July 2019.
Corner Store Jazz CSJ-0125

Latest audio reviews


More from this author


Jazz Journal articles by month


Télémaque: The King’s Hall Concert

This is a notably fecund example of music coaxed out of the ether. Both parts of St. Elmo's Fire are shot through with levels...

Still Clinging to the Wreckage 07/19

I’ve just acquired the late (he died on 23 February) Ira Gitler’s master work Swing To Bop. It’s a pity I didn’t have it...

Betty Bennett: the chick singer carries on

In October, Betty Bennett celebrated her 98th birthday and is now beset with financial difficulties. A spirited and stylish singer, she sang with swing...

Universal Tonality: The Life And Music Of William Parker

If an antidote to apathy consists of work and proselytizing, then bassist, composer, bandleader, activist and organiser William Parker embodies that antidote. Cisco Bradley...

Buster Williams: Bass To Infinity

As deep as Buster Williams’ opening quote in this insightful film on his life is the seductive sound of his bass growling under his...

JJ 04/89: Thank God it’s Monday – Mel Lewis celebrates 25 years at the Village Vanguard. Interview by Michael Bourne

"I never played with Bird or Lester Young, and they're about all I can think of that I didn't play with," answered drummer Mel...