On this weird ‘space music’ record Shorter plays only soprano saxophone which he has been concentrating on of late. He seems to have patterned his playing after that of John Coltrane, although his tone is not quite so dry as was Trane’s.
Nothing on the album really turns me around and it is a far cry from Shorter’s splendid Adam’s Apple set. The emphasis on free playing may be explained by what the liner note calls ‘a very loose date with no rehearsal’. Some aspects of the performances just don’t make sense. For instance the ‘play-as-we-please’ wild introduction and ending to Dindi bears no relationship at all to Maria Booker’s slow and emotional bossa (but not super) nova vocal.
Super Nova is one of those increasingly numerous sound storms that batter the ears these days while Swee-pea, a tribute to Strayhorn, of course, is a limpid, static theme that fails to get off the ground. Water Babies has a typical Coltrane type of atmosphere as indeed does the rather boring Capricorn. Neither was I especially enlightened by the curious More Than Human, with its banjo-like accompaniment.
For this listener the LP is, as you will gather, largely baffling. Barry McRae, on the other hand, may have been able to offer a more useful evaluation of the proceedings. Herb Wong reckons ‘the Shorter album sets up movement for new directions with consummate power’. One wonders if the new directions are the right directions. Let’s just say they’re not my bag and leave it at that.
Super Nova; Swee-Pea; Dindi (19 min) – Water Babies; Capricorn; More Than Human (18¾ min)
Wayne Shorter (sop); John McLaughlin, Sonny Sharrock, Walter Booker (gtr); Jack DeJohnette (dm/African thumb pno); Chick Corea (dm/vib); Moroslav Vitous (bs); Airto Moreira (perc); Maria Booker (vcl on Dindi only). NYC, 29/8 & 2/9/69.
(Blue Note BST 84332 47s 6d)