JJ 07/70: Nucleus at The Phoenix

Fifty years ago Pete Gamble thought Nucleus in general one of the better fusions of jazz and the "basic rhythm of rock" but not so much on this particular night. First published in Jazz Journal July 1970

Ian Carr’s Nucleus represents one of the better attempts to fuse jazz with the basic rhythm of rock. For this gig at The Phoenix, one not only heard the group at their best, but also, unfortunately, at their worst. The group’s line-up consists of Carr (trumpet & flugelhorn), John Taylor (electric piano), Chris Spedding (guitar), Jeff Clyne (bass guitar) and John Marshall (drums). Art Themen (tenor), subbed for the absent Brian Smith.

As one might expect Carr is the group’s out­standing voice, and he played three or four really excellent solos; one muted offering proved to be particularly beautiful. However, with the high standards of musicianship set by the trumpeter, the group needed a second authori­tative soloist, which they obviously lacked.

- Advertisement -

John Taylor was strangely subdued even allowing for the restrictions laid down by the rock beat, and Chris Spedding’s front-line outings were nothing short of disastrous; however his bottle­neck work was thankfully down to a minimum. Clyne and Marshall seemed particularly at home within this framework, even if at times the rhythm did feel a little heavy.

In short, a group worth a listen if you dig Ian Carr, and if you approach contemporary jazz with an open mind.

Latest features

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Kinetika Bloco: Legacy

Kinetika Bloco, founded by Mat Fox, is a buoyant mix of young brass, woodwind and steel-pan players, a drummer and dynamic dancers. The group...
Advertisement

Count me in… 11/20

Never under-estimate a codger's willingness to embrace new technology. Spotify is not a skin complaint, nor is streaming the result of an urinary tract...
Advertisement

Clifford Brown, trumpet titan /1

When Dizzy Gillespie heard that Clifford Brown had been killed in a 1956 car accident his shocked reaction became an emotional epitaph: “Jazz was...
Advertisement

Sonny Clark, Fragile Virtuoso

Pianist Sonny Clark, given the regularity with which he - in common with quite a few others - recorded for Blue Note either as...
Advertisement

The Humbler – Danny Gatton

Comprehensive chronicle adds new footage of 'the greatest guitarist you never heard', one perhaps isolated by his eclecticism and virtuosity
Advertisement

JJ 04/95: Dieter Ilg, Marc Copland, Jeff Hirshfield – What’s Goin’ On

Thirty years ago Mark Gilbert welcomed another example of the substitution of a loose six­ties-style rock shuffle for the triplet groove most often associated with piano-trio jazz