Advertisement
Advertisement

Nadine Axisa: Il-Ħoss tal-Għabex

In brief:
"...an intriguing mixture of classic Maltese pop with world, jazz and sonic sensibilities"

Nadine Axisa is a classically trained Maltese singer who has been performing in jazz clubs since the age of 15. She sings with the ethnic jazz band Trania, and her 2014 debut solo album Velvet, which featured 12 easy listening originals, earned her a four-star review in Jazz Journal.

Axisa’s second offering, Il-Ħoss Tal-Għabex (The Sound Of Twilight), was recorded at Temple Studio in Mistra Bay on Malta’s north coast. It represents a radical departure from Velvet, taking 11 Maltese classics from the 1970s and 1980s and reimagining them in a contemporary nu-jazz style using a combination of electronic effects with more traditional jazz instruments such as piano, bass and drums.

On a vocal level, the standard jazz shapes and scat singing of her first album have given way to an ethereal, dreamy delivery reminiscent of Astrud Gilberto or Sergio Mendes & Brazil 66.

Advertisement

Highlights include the keyboard meanderings of Malta’s 1972 Eurovison entry L-Imħabba; the lovely traditional Lament, with its gurgling programming, accelerating pace, busy keyboards and lyrics by poet and folk singer Frans Baldacchino; the bluesy opening piano of Fit-Tieġ Tan-Neputija, popularised by former Malta Bums singer Toni Camilleri in the 1970s, which features bubbly bass lines and programmed effects recalling Star Wars‘ R2-D2; and Charles Camilleri and Joe Friggieri’s funky, upbeat Il-Festa, whose gentle background synths and programmed percussion will get your toe tapping.

Iż-Zmien Għaddej was originally a hit for popular Maltese group The Greenfields, winners of a Lifetime Achievement gong at this year’s Malta Music Awards, where this album took the prize for Best Album In Maltese.

The experimental approach of melding effects, instruments and vocals with established material is intriguing, although in places the programmed sounds are a little too dominant, causing the singer to fight with the over-amplified effects. Overall, though, this is an intriguing mixture of classic Maltese pop with world, jazz and sonic sensibilities.

Discography
Qalu li Raw; Iż-Zmien Għaddej; L-Imħabba; Lament; Lil Ommi; Fit-Tieġ Tan-Neputija; Lulju Lewn In-Naħal Fis-Sakra; Il-Festa; Saħħa Malta; Rajt Raġel; Malta (52.00)
Axisa (v); Joe Debono (p, kyb, b, syn); Oliver Degabriele (db); Manuel Pulis (d); David Vella (syn, effects, prog). Mistra, Malta, 2019.
Nadine Mercieca 078219140324

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Keith Oxman: Two Cigarettes In The Dark

The Oxman band with two tenors and rhythm section works well in a programme of hard bop, three originals by the leader, one by...
Advertisement

Count me in… 09/21

I had John McLaughlin and YouTube to thank at the end of 2020 – the first “annus horribilis” of the pandemic - for drawing...
Advertisement

Nicolas Meier: guitar for all seasons

Swiss guitarist Nicolas Meier is a musician of truly mind-bending eclecticism. As well as playing in jazz contexts he leads a metal band, he...
Advertisement

Fantasies Of Nina Simone

You’d probably have to be very keen on Nina Simone’s music to want this book, and the author is, of course, just that. He’s...
Advertisement

Oscar Peterson: Black + White

Film tribute to the pianist has valuable footage of OP and testimony from other musicians but doesn't convey his real significance
Advertisement

JJ 10/63: In My Opinion – Sandy Brown

Sixty years ago Sandy Brown thought Cannonball Adderley's Jive Samba the dullest thing he'd heard since yesterday's Juke Box Jury
"...an intriguing mixture of classic Maltese pop with world, jazz and sonic sensibilities"Nadine Axisa: Il-Ħoss tal-Għabex