Advertisement
Advertisement

Aaron Diehl: The Vagabond

In brief:
"Lots of jazz improvisation here and some of what used to be called Third Stream"

Diehl studied with Russian virtuoso Oxana Ablonskaya at Juilliard and later with jazz pianists Kenny Barron, Eric Reed and Fred Hersch. As he has played Gershwin’s Concerto In F and music by Philip Glass it’s perhaps inevitable that this record straddles the world of western classical music as well as jazz.

But he doesn’t lack jazz credentials to any extent as will be apparent to anybody listening to his seven compositions here where he plays, improvises and links up in tight unison with his bass player Paul Sikivie. His touch is light as a feather on everything except the Prokofiev and sections of the John Lewis piece.

Advertisement

The jazz trio functions like a more contemporary edition of the Bill Evans trio although here piano and bassist are tightly integrated throughout and drummer Hutchinson contents himself with accents and colourful, sporadic decoration.

Polaris is a smooth piece with some delicate piano lines and a bass ostinato throughout. Hutchinson colours sparingly. Most of the first seven pieces are esoteric, tightly structured, frequently melodic. Treasure’s Past has an insistent, attractive melody line and more is heard from Hutchinson’s drums.

Paradoxically the most straightahead swinging jazz performance comes on the March From Ten Pieces For Piano by Prokofiev where bass and drums take a more prominent role in swinging the pianist. A Story Often Told returns to the floating, light swing of the early tracks although this one is by Sir Roland Hanna.

Milano by John Lewis is focused on piano improvisation and different to the composer’s version. The Piano Etude No 16 by Philip Glass builds steadily and effectively with a strong piano bass line reinforced by Sikivie’s string instrument. Hutchinson decorates sturdily.

Lots of jazz improvisation here and some of what used to be called Third Stream.

Discography
Polaris; Lamia; Magnanimous Disguise; Park Lope; The Vagabond; Kaleidoscope Road; Treasure’s Past; March From Ten Pieces For Piano; A Story Often Told, Seldom Heard; Milano; Piano Etude No 16 (64.47)
Diehl (p); Paul Sikivie (p); Gregory Hutchinson (d). NYC, 4 & 6 February 2019.
Mack Avenue 1153

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Jack Sheldon: A Jazz Profile of Ray Charles / Cappy Lewis: Get Happy With Cappy

Sheldon's strong trumpet playing prevails over Marty Paich's overbearing organ while Lewis proves to be the trumpet star that escaped
Advertisement

Still Clinging To The Wreckage 03/20

Whatever has happened to Marty Grosz? Has he retired? A jazz musician in total command of his idiom, he is blessed with a unique...
Advertisement

Dave Frishberg, past master /1

The title of Dave Frishberg’s autobiography My Dear Departed Past tells you nearly everything you need to know about the pianist-composer, because like many...
Advertisement

Keith Jarrett: A Biography

This new biography of pianist Keith Jarrett – the first since Ian Carr’s pioneering effort almost 30 years ago – reached us just as...
Advertisement

Thelonious Monk Quartet: Live

I saw Monk in concert three times: first with his quartet at Jazz Expo 69, then with the Giants of Jazz in 1971 and...
Advertisement

JJ 09/84: Chick Corea – Children’s Songs

Forty years ago Richard Palmer found nothing that even obliquely qualified as jazz in Corea's record but recommended it to any committed jazz listener
"Lots of jazz improvisation here and some of what used to be called Third Stream"Aaron Diehl: The Vagabond