Linley Hamilton Quintet: For The Record

In brief:
"All in all, an enjoyable set from a band that readily communicates the obvious fun they had in the studio"

Linley Hamilton has been a key member of the Irish jazz scene for many years. He’s described as “the most prominent trumpeter in Ireland” on the press sheet for this album, but he’s more than that – he’s a bandleader, a sideman to leading performers including Van Morrison and Eleanor McEvoy, a composer, a BBC broadcaster and, with a PhD in jazz performance, an academic with a teaching role at the University of Ulster Magee.

On For The Record Hamilton brings together two fellow Irish musicians – keyboard player, chief composer, arranger and co-producer Cian Boylan, and saxophonist Derek O’Connor – with the US rhythm section of Mark Egan on bass and Adam Nussbaum on drums, to form a quintet to interpret a mix of original tunes (mostly credited to Boylan) and a couple of covers including Paul McCartney’s And I Love Her.

Advertisement

After a delicate piano introduction from its composer For The Record gets under way in powerful style with Boylan’s driving, uptempo Right Angle. Everyone gets the chance to display their high-energy chops on this number, with tenorist O’Connor proving to be an especially hard-blowing player while Nussbaum’s muscular drumming at times threatens to overwhelm everyone else.

Split, a Hamilton/Boylan tune with Boylan on organ, almost matches the opening track for power, but brings a little more swing to proceedings. It’s an immediately likeable, catchy tune. Egan’s Sea Saw is a mid-tempo number that showcases both Egan’s fluid electric-bass style and Hamilton’s thoughtful and melodic playing.

Hamilton and Boylan also co-wrote the joyous Holly’s Moment, both in celebration of O’Connor’s baby daughter and as a memorial to his late sister Maureen. The quintet’s calmer, more restrained, side is ably shown on Mo’ Hip, a gentle but swinging tune that’s credited once again to the pianist and centres on an outstanding solo from Hamilton, and Nussbaum’s bluesy Sure Would Baby.

All in all, an enjoyable set from a band that readily communicates the obvious fun they had in the studio.

Find out more about Linley Hamilton recordings at linleyhamilton.com/music/discography

Discography
Right Angle; Mo’ Hip; And I Love Her; Split; Origin; Sure Would Baby; Sea Saw; Holly’s Moment (49.00)
Hamilton (t, flh); Derek O’Connor (ts); Cian Boylan (p, org); Mark Egan (b); Adam Nussbaum (d). Dublin, May 2019.
Teddy D Records TDCD002

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Pete Malinverni: On The Town

Malinverni convened his long-time bass colleague Okegwo and Jeff Hamilton on drums for this tribute to Leonard Bernstein. He has known Hamilton since 1987...
Advertisement

Obituary: Dottie Dodgion

Drummer and vocalist Dottie Dodgion died (after a stroke) at the age of 91 on 17 September in a hospice in Pacifica Grove, California....
Advertisement

Andrew McCormack: keen to connect

“I think it’s really important that the audience can connect to the music”, declares London-based pianist Andrew McCormack. “I suppose there’s a danger of...
Advertisement

Bath To Fleet Street: Anecdotes And Pictures From My Journey

Press photographer Geoff Ellis's recollections of jazz in the West Country include lamenting the poor turnouts for Earl Hines and Willie “The Lion” Smith...
Advertisement

Billie

Director James Erskine's valuable documentary intertwines Holiday's story with that of Linda Kuehl, a literary journalist who in 1970 began a biography of her....
Advertisement

JJ 08/80: Ruby Braff at Pizza Express

Having acquired supreme technical authority, in my opinion Ruby Braff has tended to play it safe in recent years with quality material executed with...
"All in all, an enjoyable set from a band that readily communicates the obvious fun they had in the studio"Linley Hamilton Quintet: For The Record