Chris Burn / Philip Thomas: As If As

In brief:
"...arrangements of six guitar solos by the late Derek Bailey, a doyen and godfather of British free improv ... a highly impressive recital of riveting compositions"

These pieces are compositions by Chris Burn, except for From Ten, Two and Three, his arrangements of six guitar solos by the late Derek Bailey. Bailey was a doyen and godfather of British free improv and author of Improvisation: Its Nature And Practice In Music, one of the best books on the subject. Bailey’s performances appeared on his 1991 album Solo Guitar Volume 2 (Incus CD 11).

Burn is an accomplished pianist as well as a composer, band-leader, occasional trumpeter and worker with electronics and has I, believe, performed all these pieces but not recorded them. He originally created the arrangements of Bailey’s solos for Cranc, a trio of harp, violin and cello. The experience of hearing those versions performed led Burn to consider how to preserve some of the sound qualities of Cranc’s instrumentation.

Advertisement

The transposition of Bailey’s unique guitar style to piano could be as controversial as performing Bach on a modern grand, but these arrangements work well, adding richer and more mellifluous sonorities. There were even moments when I was reminded of the work of Erik Satie.

Burn’s influences include Henry Cowell and Cecil Taylor, and echoes of both are discernible in some of his original compositions. (There were even a couple of moments during Only The Snow when I thought I detected a Monk chord sequence, but I probably imagined it.)

Some of the pieces test the resilience of the piano to extremes, not to mention Thomas’s stamina. Both pass with honours, though reinforcements in the person of Ledger are called in for the final track.

From passages of pounded chords that make the strings and frame shiver to moments of almost pastoral calm via sparkling cascades of glissandi, Thomas demonstrates a formidable technique in realising these works, but his playing is never just about virtuosity: there is feeling, grace and elegance too, particularly in some of the Bailey transcriptions … rather surprisingly, and I say that with no disrespect to Bailey. A highly impressive recital of riveting compositions.

Click here to buy Chris Burn / Philip Thomas: As If As

Discography
As If As; Only The Snow; From Ten, Two and Three; Pressings And Screenings Parts 1-4; The Sky A Silver Dissonance* (56.08)
Thomas (p); *adding Kate Ledger (p); Burn (arr, comp). Huddersfield, 16-17 September 2009.
Confront Core 09

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

The Jazz Messengers: At The Café Bohemia

If I had a time machine, I would certainly dial back to the Café Bohemia, NYC, 28 November 1955 to listen to this music...
Advertisement

Alt. takes 05/20

One informal theme of this recently rather irregular column – for which, apologies – is misremembering or sometimes downright forgetting. I’ve recently been involved...
Advertisement

Tony Kofi: his kind of soul

Nobody could accuse saxophonist and bandleader Tony Kofi of having it easy; early attempts to learn music were frustrated and even encouragement at home...
Advertisement

Giant Steps: Diverse Journeys In British Jazz

UK jazz musicians who became more widely popular in the 1950s were almost all white. Jazz in Britain was mono-cultural, as David Burke points...
Advertisement

Wilderness

Nothing could be more unlike a jazz musician's life than a weekend break in Cornwall, especially if the musician is black and even knowing...
Advertisement

JJ 04/64: Wes Montgomery – Full House

Sixty years ago Steve Voce thought Wes's impeccable ballads would cause much breaking of guitars by frustrated players throughout the realm
"...arrangements of six guitar solos by the late Derek Bailey, a doyen and godfather of British free improv ... a highly impressive recital of riveting compositions"Chris Burn / Philip Thomas: As If As