Ian Shaw, Iain Ballamy, Jamie Safir: What’s New

Reviewer reaction
"Sometimes the simplest formats are the best, as this fine album shows"

Sometimes the simplest formats are the best, as this fine album shows. Take an assured vocalist, an accomplished saxophonist, and an in-demand young pianist, arrange a set of standards and classic songs celebrating love, hope and devotion, and turn on the microphones. Predictably, it all comes together wonderfully.

Shaw and Ballamy actually go back together 22 years, when Ballamy, together with pianist Cedar Walton, supported Shaw on his Milestone album In A New York Minute. Ballamy is the ideal partner for Shaw, his breathy, atmospheric tenor lines wrapping themselves easily round Shaw’s distinctive, highly personal voice. On the lengthy intro to Prelude To A Kiss, he flutters in anticipation of that kiss and stutters suitably on I Wish I Were In Love Again. Sometimes he takes his time, never afraid of hanging back when required, but matches well the cadences, drawls and slurs of Shaw’s vocals.

Advertisement

As for Shaw himself, he treads a fine line between song and speech, fully exploring the meaning of every word and line he utters. He is wistful on Once Upon A Summertime, suitably tentative on Prelude To A Kiss, and most effective on Jobim’s If You Never Come To Me. Slower numbers suit him best, as proves by his thoughtful delivery of Leonard Bernstein’s sublime Some Other Time and his poignant, evocative, occasionally demonstrative stroll through Jimmy Van Heusen’s I’ll Only Miss Him When I Think Of Him.

As for Safir, he is perfect throughout, his solos little gems of creation, notably on the usually clichéd Alfie, which he rescues with sudden outbursts of colour, while his comping behind his two fellows makes you want to replay each track just to concentrate on the background piano. In places he almost upstages Shaw, but then this set is a collaboration of equals. As such it works wonders.

Discography
What’s New? You’ll Never Get To Heaven (If You Break My Heart); Prelude To A Kiss; You Stepped Out Of A Dream; Once Upon A Summertime; If You Never Come To Me; I Wish I Were In Love Again; Some Other Time; It Might As Well Be Spring; Alfie; Come Sunday; I’ll Only Miss Him When I Think Of Him (65.20)
Shaw (v); Ballamy (ts); Safir (p). Cooper Hall, Frome, Somerset, 21-23 April 2019.
Silent Wish Records SWRCD1

Advertisement
Advertisement

Jazz Journal articles by month

Advertisement

Madre Vaca: Winterreise

A cynical world in which mass suffering is considered more worthy of attention than the individual tortured by angst might regard Schubert's Winterreise song...
Advertisement

Obituary: Ira Gitler

Many of those who take jazz history seriously will have read Ira Gitler’s words. In books, magazines and liner notes he brought to wide...
Advertisement

Bangers and clankers /1

Apart from Beryl Bryden, the banjo is the most unmusical thing in jazz. The Merseysippi Jazz Band was playing at the Sacramento Jazz Festival when...
Advertisement

Make It New: Reshaping Jazz In The 21st Century

Bill Beuttler's interesting and timely book, in its format at least, is a 21st-century counterpart of Joe Goldberg's Jazz Masters Of The 1950s, published...
Advertisement

Willie Dixon: I Am The Blues

This is a live studio performance by a group of mainly veteran Chicago bluesmen led by Leonard "Baby Doo" Caston and fronted by Willie...
Advertisement

JJ 11/90: Bob Berg: In The Shadows / New Birth

With Miles, Horace Silver, Cedar Walton, Sam Jones and others, Bob Berg was one of the most striking of post-Coltrane soloists, but this third...