Filippo Dall’Asta: Mediterasian

Reviewer rating
"Far from any suggestion of pastiche, the music conjures an elegant yet spirited path across and between genres".

Here is something a touch unusual – and most pleasant. London-based guitarist Dall’Asta  – a crisp and lucid player – got hooked on Django Reinhardt when he was 16, after his father gave him an album by the gypsy legend. As Dall’ Asta puts it in his sleeve-note, he proceeded to soak up lessons from all the gypsy guitar masters he could find in France and Holland. A few years later, a six-month back-packing trip to India led to the other element which distinguishes this, Dall’Asta’s self-produced debut disc – a fascination with Indian ideas of time and the meditative and spiritual potential of music.

Dall’Asta is not only a fine musician; he’s also an open-minded arranger of moods, tones and textures. What I liked here is that there is no all-too-effortful attempt to conjure any grand synthesis of worlds. Far from any suggestion of pastiche, the music conjures an elegant yet spirited path across and between genres. On the introductory “Alap”, Indian drone figures and vocal invocation set up the gloriously swinging title track, while the pensive suspensions of “Nothingland” integrate guitar and sitar, tabla and legato strings to telling effect. East and West co-exist just as freshly in the propulsive Latin figures of “Brazil”. 

Advertisement

Gypsy guitar master Lotto Meier spins some delicious singing lines on the slow-medium “Django’s Castle”; some further fine tabla from Keval Joshi sets up – and sustains – a mesmeric groove on the richly cast “Cristina”, over which Dall’Asta soars. The chugging “Prelude” is equally irresistible, with Hemstock’s clarinet in fine fettle, while the charming mix of strings with male and female Indian vocal exchanges on “Insaat Ki Dagar Pe” offers concluding contrast to Dom Durner’s characterful rendition of what I take to be Serge Gainsbourg’s 1960s Reinhardt tribute “La Javanaise”. Enjoy!

Discography
Alap; Mediterasian; Brazil; Nothingland; Django’s Castle; Cristina; Prelude No.2 in C minor; La Javanaise; Insaat Ki Dagar Pe (37.09)
Dall’ Asta (g);Tim Ellis (g); Umberto Calentina (b); Danielo Antenucci (d); Keval Joshi (tabla); Mehboob Nasdeem (sitar) plus (collective personnel) Surjeet Singh Aulakh (sarang); Lotto Meier (g); Liza Bec (bcl); Duncan Hemstock (cl); Duncan Menzies (vn); Dom Durner (v); 3-piece strings, 2-piece brass, 3-piece choir. London 2018.
filippodallastaguitar.com

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Marc Ribot & Ceramic Dog: Hope

As guitarist Marc Ribot explains in the liner notes, and as has become a theme in many of the albums released over the past...
Advertisement

Obituary: Annie Ross

Born into show business, Annie Ross had a long career with extraordinary highs and dark lows that saw her perform and excel in many...
Advertisement

Noemi Nuti – a female perspective

London-based singer-songwriter and harp player Noemi Nuti’s 2015 debut album, Nice To Meet You, was widely acclaimed. Strangely, however, it has taken her five...
Advertisement

MilesStyle: The Fashion Of Miles Davis

When asked whether Miles was always a sharp-dresser, even when he started out in the 1940s, his life-long friend Quincy Jones replied: “Yeah, everyone...
Advertisement

Dale Bruning: A Tribute To Jim Hall

Bill Frisell and Ron Miles were among the sextet that paid tribute to the late guitarist in a September 2014 concert now available on video
Advertisement

JJ 01/86: Charlie Watts Big Band at London Ronnie Scott’s Club

Forty years ago Martin Isherwood saw the Rolling Stones drummer leading such luminaries of British jazz as Stan Tracey, Harry Beckett and Bobby Wellins
"Far from any suggestion of pastiche, the music conjures an elegant yet spirited path across and between genres".Filippo Dall'Asta: Mediterasian