Jean-Louis Matinier / Kevin Seddiki: Rivages

In brief:
"The opening track Schummansko gives notice of the many poetically turned melodic and rhythmic delights to follow"

From the earliest days of the label, distinctively conceived duets have featured strongly at ECM – and here is another gem to set next to releases by, e.g., Chick Corea and Gary Burton, Art Lande and Jan Garbarek, Ralph Towner and Paolo Fresu.

While the accordionist Matinier has long had an ECM presence, heard in the groups of Anouar Brahem, Francois Couturier and Louis Sclavis as well as in the 2014 Inventio with Marco Ambrosini on nyckelharpa, this is guitarist Seddiki’s debut for the label. Classically trained, with a beautiful tone and a most cultured yet open sense of dynamics, he has worked with many improvisers in all sorts of projects, from jazz on out. He and the similarly broad-minded Martinier have known each other for practically a decade and their genre-crossing trans-cultural empathy is in both subtle and potent evidence here.

Advertisement

The opening track Schummansko gives notice of the many poetically turned melodic and rhythmic delights to follow, blending Schumann and Bulgarian folk motif to enticing effect. Rubato reverie (epitomised by Philippe Sarde’s haunting Chanson) and purposive, now nudging, now rippling figures (hear Feux Follets and In C) flow in and out of each other in the most organic and space-limned manner, with the chiefly original programme enhanced by freshly voiced readings of pieces by Fauré and Brel as well as the aforementioned Sarde.

In a latter-day lyric piece entitled So Strange To Me, the Swedish poet Gunner Ekelöf (1907-68) wrote of an “absent thoughtfulness” brought on by the early, delicate blossoming of a rose; of “light over a turned-away cheek”“ As on a spring day/ when you sense something and hold it firmly/ an instant, a second/ unchangeable/ something that shall never turn to summer”.

There is a good deal of such fragile, pensively figured beauty in this exquisitely pitched and totally captivating music.

Discography
(1) Schumannsko; Après La Pluie; Les Berceaux; Reverie; Miroirs; Amsterdam; Feux Follets; Chanson d’Hélène; In C; (2) Derivando; (1) Sous L’Horizon (39.40)
(1) Matinier (acn); Seddiki (g); (2) Matinier out. Lugano, 6-8 April 2018.
ECM 086 4800

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Steve Banks: Emboldened

Metheny-flavoured English guitarist creates generally optimistic, lyrical mood with a quintet including tenor saxophone and piano
Advertisement

Obituary: Georg Riedel

The Swedish bassist and composer is best known for the folk-inspired Jazz På Svenska but his breadth of style belied the Nordic stereotype
Advertisement

Zev Feldman: digging out the lost gems

The producer responsible for a host of releases of previously unissued jazz in recent years thinks much of the best music is in the past
Advertisement

Beyond Sketches Of Spain – Tete Montoliu And The Construction Of Iberian Jazz

Arizona prof connects the swinging Catalan with 'the speed, spontaneity and shifting conditions of urban modernity'
Advertisement

Jazz On A Summer’s Day

Many jazzers of a certain age – include me in - will remember seeing this pioneering documentary, directed by the distinguished photographer Bert Stern...
Advertisement

JJ 05/65: Bill Evans Trio at Ronnie Scott’s Club

Sixty years ago David Rosenthal noted how well Bill Evans, a white musician likely familiar at first with only the crude and very simple rhythms of Western music, had assimilated the subtleties typical of African and Indian expression
"The opening track Schummansko gives notice of the many poetically turned melodic and rhythmic delights to follow"Jean-Louis Matinier / Kevin Seddiki: Rivages