Advertisement
Advertisement

W. Allen Taylor: Storyteller

In brief:
"Accompanied by a relaxed and attentive quartet, his smooth, attractive voice is characterised by good diction, pitch and clarity"

Taylor is a vocalist and actor, based in the Bay Area of San Francisco before moving to Washington D.C. a few years ago, and this, his debut album, shows a good deal of respect for the straightahead modern post-bop tradition in the choice of material.

Accompanied by a relaxed and attentive quartet, his smooth, attractive voice is characterised by good diction, pitch and clarity, even in the quicker tempos and when using scat, and he’s not averse to using flattened notes, in true bebop fashion.

Advertisement

Original arrangements are followed closely, as in the case of So What, where he uses Eddie Jefferson’s lyrics, the rhythm section moving it along fluently before Lionel Lyles’ impressive tenor break. The saxophonist also is featured on Mingus’s tribute to Lester Young, Goodbye Pork Pie Hat, producing a suitably laidback and pure-toned solo and Taylor drawing on the lyrics of Rahsaan Roland Kirk.

Musical director and accomplished pianist Chris Grasso uses his light, melodic touch to good effect throughout, not least on the Bobby Troup composition, You’re Looking At Me, totally in keeping with the feel of the song, and on the Strayhorn/Ellington Day Dream.

In the sleeve notes, Taylor states that as a singer he’s always been fascinated by the stories that he’s inspired to tell (hence the album title), and wanting to pay homage to the artists who created the songs. Throw It Away is a good case in point, where he poignantly delivers the Abbey Lincoln Latin-inflected song with feeling, supported sympathetically by Grasso’s piano and Lyles’ soprano, following closely the vocal line.

The album concludes with an uptempo Night In Tunisia, controlled and directed by a lively rhythm section which manages the changes skilfully, with momentum and drive from James King’s bass and drummer Mark Prince.

For more info on the album and artist, please visit watjazz.com. To buy or stream the album, please visit wallentaylor.hearnow.com

Discography
So What; Star Eyes; You’re Looking At Me; Gee Baby, Ain’t I Good to You; Day Dream; Doxy; Throw It Away; Goodbye Pork Pie Hat; A Night In Tunisia (41.45)
Taylor (v); Chris Gasso (p); Lionel Lyles (ts, ss); James King (b); Mark Prince (d). Takoma Park, Maryland. Released 2020.
Wat Jazz 001

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Roswell Rudd & Duck Baker: Live

Some years ago, American finger-style guitarist Duck Baker was a regular visitor to London and would find his way to Collets Folk & Blues...
Advertisement

Obituary: Annie Ross

Born into show business, Annie Ross had a long career with extraordinary highs and dark lows that saw her perform and excel in many...
Advertisement

Lee Ritenour, jazz man for all sessions

Recovering from a 2018 fire that destroyed a hundred instruments, the LA guitarist gives fascinating insights into the studio world, including work with Dave Grusin, Steely Dan and Pink Floyd, as well as dubbing for George Benson
Advertisement

Blues People

I don’t think anyone would disagree with David Freeman’s claim in his book that the blues changed the world. It is much more than...
Advertisement

Billy Cobham: Jazz Legends, Live At The Palais Des Festivals Hall, Cannes 1989

Despite the sighting of two mullets and a mix dominated by a synth sound you would associate with Spandau Ballet, this 45-minute show from...
Advertisement

JJ 10/90: Tommy Smith – Peeping Tom

On his somnolently cautious Blue Note debut last year, Edinburgh's local boy made good seemed to have gone off the boil, overawed perhaps by...
"Accompanied by a relaxed and attentive quartet, his smooth, attractive voice is characterised by good diction, pitch and clarity"W. Allen Taylor: Storyteller