Geoff Mason Quartet: GMQ

In brief:
" enjoyable album and it’s to Mason’s credit that he hasn’t settled for easy options and instead has chosen some demanding material to which the musicians respond commendably"

The cover of this CD shows Geoff Mason on the corner where Rupert Street meets Archer Street, the famous back street in Soho which was a meeting point for West End musicians from the 1920s up to the 50s, and the gathering place for members of the (then) modernist Club Eleven. Its character was described in Syd Gamage’s poem:

It’s there the Jazzers congregate,
Who, all dressed up, just watch and wait;
They hang about in threes and fours;
Blocking the Club and MU doors: (Musicians’ Journal, July 1926)


Appropriate, as it points to the style of music on the album – straightahead modern jazz – as well as to the person of Mason himself, a well-respected working trombonist. The material is a mix of familiar and lesser known numbers and each member of the quartet is given the opportunity to solo, each acquitting themselves well.

Pianist John Horler shows what an underrated player he is, with thoughtful accompaniment and a series of inventive solos, on Coltrane’s 26-2 and Monk’s Well You Needn’t in particular.

Mason displays his technical skill throughout and makes a spirited attempt at accommodating the blur of notes on the tricky Trinkle Tinkle, which calls for quick, precise slide technique. Monk’s composition is also a vehicle for a proficient bass solo from Adam King, whilst Horler avoids the trap of being too “Monkish” whilst admirably retaining the tune’s character, before trombone and piano trade fours with the accomplished and dependable Winston Clifford.

An interesting choice is Woody Shaw’s Beyond All Limits, Mason showing mastery in his fast articulation and smooth slur, followed by a round of solos and the rhythm section pushing the tempo along. Two Herbie Hancock numbers are included, Mason’s improvisational ability evident on both, although it’s the simmering Riot with its slightly abstract and dark undertones which impresses.

This is an enjoyable album and it’s to Mason’s credit that he hasn’t settled for easy options and instead has chosen some demanding material to which the musicians respond commendably.

GMQ is available from Apple or Spotify. To find out more about Geoff Mason’s other projects go to

26-2; Tell Me A Bedtime Story; Trinkle Tinkle; Beyond All Limits; Well You Needn’t; Riot; L’s Bop (43.32)
Mason (tb); John Horler (p); Adam King (b); Winston Clifford (d). Brixton, April 2019.
GM Records (distributed through CD Baby)


Jazz Journal articles by month

Emilia Vancini Augusto Pirodda: And If You Fall, You Fall

Emilia Vancini and Augusto Pirodda are both accomplished performers and excellent interpreters of The Great American Songbook. I googled Vancini and was led to...

Obituary: Eugene Wright

He played the bottom line on the wildly popular Take Five but segregated US universities baulked at the idea of the Brubeck quartet appearing with a black bassist

Pete Christlieb: A tenor for all seasons /1

These days Pete Christlieb is likely as not found in his spacious garage, working on a dragster, a passion he has indulged for some...

The Recordings Of Andy Kirk And His Clouds Of Joy

Having grappled with an item from the Listener’s Companion series, I now meet up with the Oxford Studies in Recorded Jazz. Seven titles to...

Thelonious Monk Quartet: Live

I saw Monk in concert three times: first with his quartet at Jazz Expo 69, then with the Giants of Jazz in 1971 and...

JJ 01/69: Horace Silver at Ronnie Scott’s, November 1968

Ronnie Scott's genteel and suave new ground floor housed Horace Silver's most recent quintet for three weeks in November. The material - invariably Silver's...