Geoff Mason Quartet: GMQ

In brief:
"...an enjoyable album and it’s to Mason’s credit that he hasn’t settled for easy options and instead has chosen some demanding material to which the musicians respond commendably"

The cover of this CD shows Geoff Mason on the corner where Rupert Street meets Archer Street, the famous back street in Soho which was a meeting point for West End musicians from the 1920s up to the 50s, and the gathering place for members of the (then) modernist Club Eleven. Its character was described in Syd Gamage’s poem:

It’s there the Jazzers congregate,
Who, all dressed up, just watch and wait;
They hang about in threes and fours;
Blocking the Club and MU doors: (Musicians’ Journal, July 1926)

Advertisement

Appropriate, as it points to the style of music on the album – straightahead modern jazz – as well as to the person of Mason himself, a well-respected working trombonist. The material is a mix of familiar and lesser known numbers and each member of the quartet is given the opportunity to solo, each acquitting themselves well.

Pianist John Horler shows what an underrated player he is, with thoughtful accompaniment and a series of inventive solos, on Coltrane’s 26-2 and Monk’s Well You Needn’t in particular.

Mason displays his technical skill throughout and makes a spirited attempt at accommodating the blur of notes on the tricky Trinkle Tinkle, which calls for quick, precise slide technique. Monk’s composition is also a vehicle for a proficient bass solo from Adam King, whilst Horler avoids the trap of being too “Monkish” whilst admirably retaining the tune’s character, before trombone and piano trade fours with the accomplished and dependable Winston Clifford.

An interesting choice is Woody Shaw’s Beyond All Limits, Mason showing mastery in his fast articulation and smooth slur, followed by a round of solos and the rhythm section pushing the tempo along. Two Herbie Hancock numbers are included, Mason’s improvisational ability evident on both, although it’s the simmering Riot with its slightly abstract and dark undertones which impresses.

This is an enjoyable album and it’s to Mason’s credit that he hasn’t settled for easy options and instead has chosen some demanding material to which the musicians respond commendably.

GMQ is available from Apple or Spotify. To find out more about Geoff Mason’s other projects go to geoffmason.uk.

Discography
26-2; Tell Me A Bedtime Story; Trinkle Tinkle; Beyond All Limits; Well You Needn’t; Riot; L’s Bop (43.32)
Mason (tb); John Horler (p); Adam King (b); Winston Clifford (d). Brixton, April 2019.
GM Records (distributed through CD Baby)

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Alexandra Grimal: Nāga

It seems hard to believe that French saxophonist and composer Alexandra Grimal has been recording for just a decade. An established fixture on the...
Advertisement

Count me in… 11/19

The short happy life of West Mon Grammar School's Jazz Club at Pontypool in the late 1950s seemed to say something about the music...
Advertisement

Junior Cook: quintessential NYC hard-bop tenor

Courtney Nero outlines the trajectory of the Pensacola-born saxophonist, from R&B roadman to Mobley-inspired hard-bop luminary, forged in NYC
Advertisement

Creole Trombone – Kid Ory And The Early Years Of Jazz

This book, which first appeared in 2012, is the product of 15 years of research which spanned the death of the author’s wife and...
Advertisement

Music For Black Pigeons

The quartet gig which John Surman had at Ronnie Scott's this past June (reviewed 12/06) was memorable enough in itself. What made the evening...
Advertisement

JJ 05/86: Allan Holdsworth – Metal Fatigue

Forty years ago, Mark Gilbert relished the landmark solo on Devil Take The Hindmost and the cut-glass heavy metal riffs but hoped too that Holdsworth might one day play with Corea, DeJohnette and Holland
"...an enjoyable album and it’s to Mason’s credit that he hasn’t settled for easy options and instead has chosen some demanding material to which the musicians respond commendably"Geoff Mason Quartet: GMQ