Freelektron: Live At Tenho

In brief:
"...thoughtful, intensely beautiful and for all its brevity, stuffed with great music"

Notoriously, Jimi Tenor took his working name from the youngest Osmond, not from Hendrix, but the man born Lassi O. T. Lehto hasn’t been held back by the association. His work is beyond category, taking in jazz, pop, electronica, world-music situations and, most frequently, in-between states that are completely sui generis.

This remarkable live LP, recorded four years ago, will be a revelation to those who see Tenor as a kind of Finnish Gary Numan. It’s thoughtful, intensely beautiful and for all its brevity, stuffed with great music.

Advertisement

The key to the group’s success is drummer Ilmari Heikinheimo, whose electronic kit helps create the illusion that a bass player is also present. Low, slow rumbles anchor the music on the opening Tenho, which Tenor takes mainly on flute. Like Juhani Aaltonen, the senior man in Finnish jazz, he’s made the instrument something of a speciality, using an intonation that ranges between concert correctness and the wilder shores you might associate with someone like Robert Dick.

The later tracks tend to be freer and more confrontational but there is no Interstellar Space stuff here. The music remains pleasingly earthbound and almost folkish in the familiar manner of Finnish jazz, which has never hesitated to make use of native elements alongside bop and blues modalities. Tenor has never been a virtuoso. His interest lies in the song rather than the solo, but he’s capable here, as before, of some beautifully shaped and formally satisfying improvisation.

Discography
Tenho; Kaipuu Part One; Kaipuu Part Two; Lumous; Hurmos; Glamor (36.03)
Jimi Tenor (ts, f, syn); Ilmari Heikinheimo (d, elec d, pc).
Jazzaggression JALP723

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Ant Law & Alex Hitchcock: Same Moon In The Same World

British guitar and tenor lead an international crew including Jasper Høiby and Eric Harland in a set of pulsing, modally-inclined originals
Advertisement

Obituary: Chris Wellard

News of the death of jazz retailer and promoter Chris Wellard will be received with great sadness in the London jazz community. An enthusiastic...
Advertisement

Mike Clark, the Oakland Groove behind Herbie, Chet and Charlie Brown /2

By 1967, and with a great deal of playing experience to his credit, Clark turned 21 and moved to Oakland. Adding to his already...
Advertisement

Cloud Arrangers: photos by Ziga Koritnik

Ziga Koritnik is a Slovenian photographer living in Llubljana. For several years he was a cameraman with Slovenia’s national television station. His interest in photographing...
Advertisement

Symphonies in Black: Duke Ellington shorts at the Barbican, London

Back in the day, when you and I were young, Maggie, and your local Essoldo offered not one, but two feature films, a newsreel,...
Advertisement

JJ 01/65: Zbigniew Namyslowski – Lola

Sixty years ago Mark Gardner hailed the quality, authenticity, musicianship and creativity of jazz from a country - Poland - in which, only nine years earlier, the music had been proscribed as a decadent Americanism
"...thoughtful, intensely beautiful and for all its brevity, stuffed with great music"Freelektron: Live At Tenho