Ferdinando Romano: Totem

In brief:
"Trumpeter Alessi is for me the outstanding soloist in this set of colourful yet in places gossamer-light contemporary jazz"

Trumpeter Alessi is for me the outstanding soloist in this set of colourful yet in places gossamer-light contemporary jazz. Wolf Totem is the most memorable theme, or at least it was while I had the music on as apt accompaniment for writing this review, although in a sense themes are not relevant in music such as this, where the deeply reflective thoughts of the musicians take priority.

Such thoughts are to the fore on the lengthy Mirrors, before an episode of near abstraction ruffles the music’s surface. However while it comes as a welcome contrast, this episode also documents musicians for whom the realms of the free present a void they’re unable to face, let alone fill. That said, Alessi and Alessandrini’s collective improvising evokes a much earlier point (and place) in jazz history. Curly is heavy on the prosaically reflective, and while such a mood can provoke torpor, here the depth of sincerity lends proceedings a personal sheen even while it probably won’t be enough to keep particularly inquisitive documentary film makers from using it as incidental music.

Advertisement

Sea Crossing Parts 1 and 2 are unsurprisingly notable for continuity, with Alessandrini’s outing on the first part being him at his most animated, before everything literally stops for a very reflective piano interlude which had me checking to see if the break between parts 1 and 2 was marked by the abrupt change – it wasn’t.

Memories Reprise left me wondering about the future of the strain of contemporary jazz this album is emblematic of, namely one made by musicians who as far as I could hear were identifiable only by their note patterns, not the individuality of their tones or approaches. This is a very crowded field now, or at least it was before the virus brought the curtain down on live music as we know it, and the anonymity implied by my comments may not be enough to attract audiences either old or new once the new normal is something more than a term for casually dropping into conversation.

Find out more about Ferdinando Romano: Totem at ferdinandoromano.com

Discography
The Gecko; Evocation; Wolf Totem; Curly; Sea Crossing Part 1; Sea Crossing Part 2; Memories Reprise; Mirrors (56.13)
Ralph Alessi (t); Tommaso Iacoviello (flh); Simone Alessandrini (as, ss); Manuel Magrini (p); Nazareno Caputo (vib, mar); Ferdinando Romano (b); Giovanni Paolo Liguori (d) Cavalico, UD, Italy, October 2019.
Losen Records LOS 242-2

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Peggy Lee: All Aglow Again!

Peggy was perfectionist and a great jazz singer, so when things become a bit commercial one always has the techniques to admire. There are some...
Advertisement

Obituary: Georg Riedel

The Swedish bassist and composer is best known for the folk-inspired Jazz På Svenska but his breadth of style belied the Nordic stereotype
Advertisement

Roy McCurdy: drumming royalty /2

The 86-year-old sticksman concludes by focusing on his time with the Adderleys, the first stirring of fusion and Cannonball's tragic demise
Advertisement

The Gerry Mulligan 1950s Quartets

Drawing on his original research for a BBC Radio 3 series, Alyn Shipton presents new perspectives on the baritone player's quartets
Advertisement

Miles Davis: Birth Of The Cool – the DVD

Stanley Nelson's bio-doc of Miles Davis (reviewed in theatrical form in February) not only takes its title from the name of one of the...
Advertisement

JJ 05/62: Charles Mingus – Presents Charles Mingus

When I first played this disc there were moments when I thought the top of my head was corning off. It is certainly the...
"Trumpeter Alessi is for me the outstanding soloist in this set of colourful yet in places gossamer-light contemporary jazz"Ferdinando Romano: Totem