Ian McGimpsey & Harrison Argatoff: Ontario 559 West

In brief:
"...this is more than a homage, for it seeks to capture what it was that made [Nick] Drake so special, to expand Drake’s limited repertoire with some new songs he might have written"

Ian McGimpsey and Harrison Argatoff are Toronto-based musicians, Argatoff having the unusual background of growing up a Doukhobor in British Columbia. The Doukhobors were a Russian dissenting sect known for their radical pacifism who, with financial help from Tolstoy, settled in the Canadian Rockies and prairies in 1899. It is this spiritually aware background that informed Argatoff’s recent interest in Nick Drake, that most luminous but fragile of British folk singers, and in particular his Pink Moon album.

Pink Moon was recorded in October 1971. It was by far the bleakest of Drake’s four albums, 11 spare, unadorned songs accompanied only by guitar lasting no more than 28 minutes in total that together speak of distance and despair without any of the comforts of self-indulgence.

Advertisement

Inspired by that album, Argatoff worked with McGimpsey to produce a set of equally short, heartfelt and seemingly simple songs –15 of them and few longer than a couple of minutes – in response. The songs mix an instinctive blend of contemporary jazz with the idioms of a singer-songwriter.

The album’s title, by the way, refers to the Ontario 559 West highway which runs east to west about 250 km north of Toronto. This highway leads to a house on Lake Huron’s Georgian Bay where the music was recorded.

Given the fact that Drake was a guitarist, and Argatoff a saxophonist, McGimpsey’s acoustic guitar plays a leading role on this album. What results is an uncanny resemblance to an original Drake album, McGimpsey’s open-tuned guitar and precise, pizzicato style capturing the fluid ambiguity of Drake’s own playing, Argatoff’s languid, muffled saxophone filling in for Drake’s hazy vocal lines. At times, I almost expected Drake himself to start singing, for his presence is evident in each song. The pair end the set with two unaccompanied outings, each inhabiting the unsettling, unhappy world Drake lived in.

But this is more than a homage, for it seeks to capture what it was that made Drake so special, to expand Drake’s limited repertoire with some new songs he might have written. As such, it is a contemplative reminder of a life sadly lost, but also an unexpected pleasure, and from a most unusual source.

Hear/buy Ian McGimpsey & Harrison Argatoff: Ontario 559 West

Discography
August 28, 2018; Can A Soul Be Bright; 39; What Will Be Left; From The Ground; Saying Little; In Equal Measure; 42; Late Harvest; From The Blossom; The Sun Shone Still; Paying Dearly; Guitar; Horn; Swings (38.03)
McGimpsey (g); Argatoff (ts); Carling Township, Ontario, March 2020.

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Tapani Rinne & Juha Mäki-Patola: Open

Nearly worn out your copy of Floating Points and Pharoah Sanders' Promises from last year? Hankering for more in the same vein? Here’s a...
Advertisement

Still Clinging To The Wreckage 06/21, part 4

Barney Bigard and Duke Ellington seemed to have an almost supernatural understanding as their partnership grew. Ellington's ability to write for his players to...
Advertisement

100 years ago: Sarah Vaughan

Born in Newark, NJ on 27 March 1924, she was perhaps unique in singing the poetry of the Polish priest who became Pope John Paul II
Advertisement

Omar Sosa’s 88 Well-Tuned Drums

Film about the Cuban pianist who's said to typify the idea that virtuosity is a measure of individual expression, not of instrumental ability
Advertisement

Miles Davis: Birth Of The Cool – the film

Fans of Miles Davis may remember some grainy old footage of the trumpeter shadowboxing in a gym sometime during the mid-1960s. It’s a clip...
Advertisement

JJ 02/81: James ‘Blood’ Ulmer – Are You Glad To Be In America?

Though condemned by some after a recent visit to Camden Jazz Festival, Ulmer has been embraced by many here, not least by Rough Trade,...
"...this is more than a homage, for it seeks to capture what it was that made [Nick] Drake so special, to expand Drake’s limited repertoire with some new songs he might have written"Ian McGimpsey & Harrison Argatoff: Ontario 559 West