219 articles
Gordon Jack
My first exposure to jazz was hearing Gerry Mulligan and Bob Brookmeyer at the Royal Festival Hall in 1957. In the sixties I played baritone in rehearsal bands and on one occasion while rehearsing at the BBC Harry Rabinowitz talked us through some of the charts which was quite an experience. I began working in R&B bands, one of which was fronted by the American Freddie Mack, a former world-ranked middleweight boxing champion. I also played with the Deakin Lewis Soul band opposite some of the stars of the day such as Long John Baldry, Rod Stewart, Jimi Hendrix, The Kinks, Eric Clapton, Jimmy Witherspoon, Stevie Winwood and Spencer Davis – all for very little money, as I recall. That band was also resident at the 100 Club and the Café des Artistes in Chelsea for quite a while. Later I spent over 30 years on the semi-pro gig scene in London and the home counties – everything from weddings in the Old Kent Road to Ladies Nights at the Waldorf Hotel. I no longer play the saxophone but I take it out of its case occasionally and gaze lovingly at it. I started contributing to Jazz Journal and Crescendo in 1994 and 30 of my interviews have been published by Scarecrow Press under the title Fifties Jazz Talk. In 2003 I provided a discography of Gerry Mulligan’s numerous unissued recordings for Raymond Horricks’ biography of the great man.
Dave Brubeck Jazz: Red Hot And Cool
As early as 1955 Dave Brubeck was using such brainy devices as three against four, canon, 12-key modulation and baroque contrapuntalism
Nicki Parrott: Feelin’ Groovy
Parrott made her name as a bassist before emerging as a talented singer of standards and, as here, the modern songbook
Nils Lindberg: Sax Appeal – The Swedish Modern Jazz Group
1960 Swedish set gives an authoritative account of various American styles while also demonstrating the singularity of baritonist Lars Gullin
Jimmy Rowles Trio: The Nocturne Session
In a world full of pianists, Rowles' idiosyncratic approach to rhythm and harmony produced a style that was almost unclassifiable
- Advertisement -
Karrin Allyson: A Kiss For Brazil
Singer who has covered Coltrane, Joni Mitchell and Rodgers & Hammerstein turns her full attention to the bossa nova
Donald Byrd & Gigi Gryce: Jazz Lab
Metronome hailed them as new stars and they were Newport Future Jazz Greats of 1957 but their creative hard-bop group was short-lived
Stan Getz Quintet: Interpretations #2
The saxophonist is joined by Bob Brookmeyer, John Williams, Teddy Kotick and Frank Isola in inventive variations on standards in the early 50s
Dave Brubeck Quartet: Jazz Goes To Junior College
The often reissued album, with high-quality Paul Desmond, exemplifies Brubeck's pioneering absorption of college halls into the jazz circuit
- Advertisement -
Obituary: Bill Holman
André Previn said saxophonist Holman's true instrument was the orchestra, which he played with 'musicianship, honesty and brilliance'
Jay Jay Johnson: The Quintessence
The bebop trombone pioneer is heard between 1946 and 1961 with leading lights of the swing to modernist persuasion
Miles Davis Quintet with John Coltrane: Live In Copenhagen 1960
Vinyl reissue documents a 1960 session from a JATP tour that Coltrane almost didn't join because Miles wouldn't pay him $1000 a week
Chet Baker & Jack Sheldon: In Perfect Harmony: The Lost Album
Baker plays well on this first issue of one of his first dates after his 1966 beating, though overshadowed by Sheldon as trumpeter and singer
- Advertisement -