216 articles
Gordon Jack
My first exposure to jazz was hearing Gerry Mulligan and Bob Brookmeyer at the Royal Festival Hall in 1957. In the sixties I played baritone in rehearsal bands and on one occasion while rehearsing at the BBC Harry Rabinowitz talked us through some of the charts which was quite an experience. I began working in R&B bands, one of which was fronted by the American Freddie Mack, a former world-ranked middleweight boxing champion. I also played with the Deakin Lewis Soul band opposite some of the stars of the day such as Long John Baldry, Rod Stewart, Jimi Hendrix, The Kinks, Eric Clapton, Jimmy Witherspoon, Stevie Winwood and Spencer Davis – all for very little money, as I recall. That band was also resident at the 100 Club and the Café des Artistes in Chelsea for quite a while. Later I spent over 30 years on the semi-pro gig scene in London and the home counties – everything from weddings in the Old Kent Road to Ladies Nights at the Waldorf Hotel. I no longer play the saxophone but I take it out of its case occasionally and gaze lovingly at it. I started contributing to Jazz Journal and Crescendo in 1994 and 30 of my interviews have been published by Scarecrow Press under the title Fifties Jazz Talk. In 2003 I provided a discography of Gerry Mulligan’s numerous unissued recordings for Raymond Horricks’ biography of the great man.
Sal Nistico: Empty Room
This 1988 Italian jam session features the 1960s Woody Herman tenor player whom the Road Father was always glad to have back with his band
Betty Carter: Meets The Pianists
Vinyl reissue of mid-50s sessions from the vocalist of whom Carmen McRae said 'There’s really only one jazz singer – only one: Betty Carter'
Marshall Gilkes and the WDR Big Band: LifeSongs
Gilkes, a trombonist in the virtuoso tradition stretching back to JJ Johnson, wrote most of the music for this third set with German big band
Miles Davis Quintet: In Concert At The Olympia Paris 1957
After recording Miles Ahead, the trumpeter played in Paris, where he asked Barney Wilen why he didn't 'stop playing those awful notes'
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Philly Joe Jones Sextet & Quintet: Live At Birdland
Previously unreleased recordings are excused their audio imperfections for the skill and rarity of the performers, among them Dizzy Reece
Al Grey-Billy Mitchell: Studio Recordings
The trombonist and saxophonist left Basie in 1960 and formed their own sextet, becoming popular for their mix of foot-tapping swing and R&B
Dave Brubeck Quartet: Live From The Northwest 1959
The band with Desmond, Wright and Morello is heard on previously unissued live dates, four months before the musical departures of Time Out
The Jazztet: Four Classic Albums
Two CDs collect four albums by the sextet which co-leader Art Farmer saw as the antidote to the jam session
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Diva Jazz Orchestra: “30” – Live At Dizzy’s Club
The all-female NY-based big band marks its 30th birthday with a set referencing Michael Abene, Francy Boland, Woody Herman and others
Gerry Mulligan: Writings On A Jazz Original
The former drummer with Bobby Troup, Anita O'Day and others has assembled into a book 52 articles illuminating Mulligan's work and life
Chet Baker Quartet featuring Phil Markowitz: Live At Nick’s
The peripatetic trumpeter that was Baker in the 1970s here plays standards with an all-American trio in Holland
Chet Baker Quintet Featuring Warne Marsh: Blues For A Reason
1984 Dutch session is a good demonstration of Marsh's advanced command of harmony, one that apparently intimidated Stan Getz
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