Nadine Axisa: Il-Ħoss tal-Għabex

In brief:
"...an intriguing mixture of classic Maltese pop with world, jazz and sonic sensibilities"

Nadine Axisa is a classically trained Maltese singer who has been performing in jazz clubs since the age of 15. She sings with the ethnic jazz band Trania, and her 2014 debut solo album Velvet, which featured 12 easy listening originals, earned her a four-star review in Jazz Journal.

Axisa’s second offering, Il-Ħoss Tal-Għabex (The Sound Of Twilight), was recorded at Temple Studio in Mistra Bay on Malta’s north coast. It represents a radical departure from Velvet, taking 11 Maltese classics from the 1970s and 1980s and reimagining them in a contemporary nu-jazz style using a combination of electronic effects with more traditional jazz instruments such as piano, bass and drums.

On a vocal level, the standard jazz shapes and scat singing of her first album have given way to an ethereal, dreamy delivery reminiscent of Astrud Gilberto or Sergio Mendes & Brazil 66.

Advertisement

Highlights include the keyboard meanderings of Malta’s 1972 Eurovison entry L-Imħabba; the lovely traditional Lament, with its gurgling programming, accelerating pace, busy keyboards and lyrics by poet and folk singer Frans Baldacchino; the bluesy opening piano of Fit-Tieġ Tan-Neputija, popularised by former Malta Bums singer Toni Camilleri in the 1970s, which features bubbly bass lines and programmed effects recalling Star Wars‘ R2-D2; and Charles Camilleri and Joe Friggieri’s funky, upbeat Il-Festa, whose gentle background synths and programmed percussion will get your toe tapping.

Iż-Zmien Għaddej was originally a hit for popular Maltese group The Greenfields, winners of a Lifetime Achievement gong at this year’s Malta Music Awards, where this album took the prize for Best Album In Maltese.

The experimental approach of melding effects, instruments and vocals with established material is intriguing, although in places the programmed sounds are a little too dominant, causing the singer to fight with the over-amplified effects. Overall, though, this is an intriguing mixture of classic Maltese pop with world, jazz and sonic sensibilities.

Discography
Qalu li Raw; Iż-Zmien Għaddej; L-Imħabba; Lament; Lil Ommi; Fit-Tieġ Tan-Neputija; Lulju Lewn In-Naħal Fis-Sakra; Il-Festa; Saħħa Malta; Rajt Raġel; Malta (52.00)
Axisa (v); Joe Debono (p, kyb, b, syn); Oliver Degabriele (db); Manuel Pulis (d); David Vella (syn, effects, prog). Mistra, Malta, 2019.
Nadine Mercieca 078219140324

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Flying Pooka!: The Ecstasy Of Becoming

Saxophone-voice and piano duo take the reflective, exploratory route, manifest in tiptoeing, rubato, now consonant, now dissonant lines
Advertisement

Obituary: Jeff Beck

Beck said: 'I'm not a jazz guitarist. No way. All I'm really playing is elaborated blues with progressive rock overtones' but some demurred
Advertisement

Tony Coe: ‘The first prerequisite is that it should be honest’

To mark the death of Tony Coe we republish an article in which he comments on Basie, the Beatles, Jan Garbarek, modal and free jazz and more
Advertisement

Prehistory Of Jazz

Maximilian Hendler minimises the significance of Africa in the development of jazz, pointing out that much came from Europe
Advertisement

Billie

Director James Erskine's valuable documentary intertwines Holiday's story with that of Linda Kuehl, a literary journalist who in 1970 began a biography of her....
Advertisement

JJ 04/85: Royal Gala Concert at the London Palladium

Forty years ago Mark Gilbert reviewed a rather chaotic fundraiser for the doomed National Jazz Centre, featuring a.o., Nigel Kennedy, Alison Moyet, Helen Shapiro and Jools Holland
"...an intriguing mixture of classic Maltese pop with world, jazz and sonic sensibilities"Nadine Axisa: Il-Ħoss tal-Għabex