Advertisement
Advertisement

Redman, Mehldau, McBride, Blade: RoundAgain

In brief:
Brian Blade: “This band is like a turntable where the stylus was lifted but the turntable is still spinning. We just had to drop the needle, and there we were with all of the information we had gathered"

The monumental ensemble featuring Joshua Redman, Brad Mehldau, Christian McBride and Brian Blade have touched base once again almost 30 years after they recorded Moodswing as the Joshua Redman Quartet.

As a bandleader for the first time, spanning almost a year and a half back in 1994, Redman knew this band were soon to dissolve: “I realised almost immediately that this band wouldn’t stay together for very long. They were without a doubt, for our generation, among the most accomplished and innovative on their respective instruments. They were already all in such high demand – everyone wanted to play with them! And they all had such strong and charismatic musical personalities – destined to start soon pursuing their own independent visions. I knew better than anyone else just how incredibly lucky I was to have even that short time with them.”

Advertisement

Redman spoke about how they had all played with one another at various moments in their careers but had never reunited: “I knew it would happen, but I didn’t know when, we were all so busy, and we needed the space, both in our schedules and in our creative development.”

Blade added further “This band is like a turntable where the stylus was lifted but the turntable is still spinning. We just had to drop the needle, and there we were with all of the information we had gathered. It has gotten deeper because of life itself, and because Joshua, Brad, and Christian plumb the depths every day.”

Mehldau has established himself as one of the most significant pianists of the last quarter-century, but also a composer who is never afraid to broaden his horizons. Christian McBride is a six-time Grammy winner and has been a notable spokesman as artistic director for the Newport Jazz Festival. He is also artistic chair of Jazz House Kids and host of Jazz Night In America. Blade, who co-leads the Brian Blade Fellowship, has made close connections with many musicians including Wayne Shorter, Joni Mitchell and Norah Jones.

RoundAgain begins with a Redman composition which features continuous circling phrases by Mehldau, fitting in with the saxophone where desired. Silly Little Love Song brings together the quartet with a familiar comping pattern and gives Redman a perfect platform to excel. Floppy Diss showcases the brilliant soprano ability of Redman, incorporating dense bebop lines with bluesy phrasing. Blade’s Your Part To Play is a beautifully shaped piece of art which begins mellow with plenty of space until reaching a climatic forte and finishing in similar nature to the introduction rounding off RoundAgain. 

Discography
Undertow; Moe Honk; Silly Little Love Song; Right Back Round Again; Floppy Diss; Father; Your Part to Play (44.39)
Joshua Redman (ts, ss); Brad Mehldau (p); Christian McBride (b); Brian Blade (d). c. 2020.
Nonesuch Records

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Archie Shepp/Bill Dixon: Quartet

Vinyl version of recent CD reissue omits the extra tracks by Dixon's septet but the free-leaning, Ornette Coleman tendency remains
Advertisement

On the Other Hand 10/19

Something for Ronnie's 60thThey say that it's easy to tell when you've reached middle age. It's the moment you first go “oof!” when sitting...
Advertisement

Jim Beard: delight in the detail

Pianist Jim Beard, who died 2 March, was a natural for the keyboard seat in Steely Dan, as exemplified by his own richly appointed solo work
Advertisement

Dave Brubeck And The Performance Of Whiteness

The author says Brubeck fought racism more than most white jazzers but failed to realise his privileged socio-economic and 'whiteness' status
Advertisement

Wilderness

Nothing could be more unlike a jazz musician's life than a weekend break in Cornwall, especially if the musician is black and even knowing...
Advertisement

JJ 10/80: Juhani Aaltonen – Springbird

With instrumentation varying from one track to the next, with all man­ner of flutes, kotos and Senegalese percussion involved, this looked like a rewarding...
Brian Blade: “This band is like a turntable where the stylus was lifted but the turntable is still spinning. We just had to drop the needle, and there we were with all of the information we had gathered"Redman, Mehldau, McBride, Blade: RoundAgain