Advertisement
Advertisement

JJ 06/70: Herbie Hancock – The Prisoner

A review by Mike Shera, first published in Jazz Journal June 1970

Herbie Hancock’s excellent series of Blue Note albums continues with The Prisoner, where he has chosen to write for a nine- or eleven-piece group. His writing is fresh and inspiring, though not very close to that of Gil Evans, whose work he says he admires so much.

His aims are similar (often fairly simple melodies with complex chord struc­tures, played by unusual combinations of instruments) though the sound is very dif­ferent. Like Evans he leaves plenty of space for his soloists, Johnny Coles, Joe Henderson and Garnett Brown.

Advertisement

The ideas behind the music are mostly con­cerned with Blacks, yet Hancock manages to convey the feelings without resorting to the ugly sounds of the ‘new thing’. I Have A Dream is, not unexpectedly, dedicated to the memory of Martin Luther King.

The implica­tions of the title tune hardly need comment, whilst Buster Williams contrasts the fire of violence with the ‘water’ of Dr. King. The latter is also the ‘he’ of He Who Lives In Fear, whilst Hancock sees The Promise of the Sun as freedom to all living things, but not as yet to Blacks.

Non-commercial new recordings from Blue Note are not that frequent that one can afford to pass up one so good as this.
Mike Shera

Discography
(a) I Have A Dream; The Prisoner (19 min) – (b) Firewater; (a) He Who Lives in Fear; (b) Promise Of The Sun (22 min)
(a) Johnny Coles (fgl-h); Garnett Brown (tbn); Tony Studd (bs-tbn); Herbert Laws (flt); Jerome Richardson (bs-clt); Joe Henderson (ten/flt); Herbie Hancock (pno/elec-pno); Buster Williams (bs); Albert “Tootle” Heath (dm). NYC. 18, 21, 23/4/69. (b) Jack Jeffers (bs-tbn); Romeo Penque (bs-clt) added; Richardson also plays (flt) same dates.
(Blue Note BST 84321 47s 6d)

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Shez Raja: Tales From The Punjab

British born bass-guitar virtuoso Shez Raja journeyed to the Punjab early in 2020 to discover his roots. While in Lahore he had the opportunity...
Advertisement

Obituary: Bob Weir

Long-time Jazz Journal columnist and author Bob Weir has died, age 82. Bob, who for many decades contributed the monthly Jazz Information column to Jazz...
Advertisement

Frank Griffith writes of swing

After working with such as John Dankworth and Tina May, the Oregon-born saxophonist now prefers composing and arranging to playing
Advertisement

Cedar – The Life And Music Of Cedar Walton

He featured in such leading groups as the Jazztet and the Jazz Messengers, but Walton was a grounded performer who didn't seek celebrity
Advertisement

Up From The Streets – New Orleans: The City Of Music

“The street has the beat; and the beat embodies the rhythm; and the rhythm embodies the culture.” Jazz drummer Herlin Riley’s insight into the...
Advertisement

JJ 05/64: Stan Getz – and closing night at the Marquee

Sixty years ago Michael Shera attended the last gig at the Marquee club at 165 Oxford Street and saw why US jazz beat the UK variety