Advertisement
Advertisement

Clairdee: A Love Letter To Lena

In brief:
"It appears that Clairdee is moving toward the creation of a full-length show tracing Horne’s life. That being so, she has set herself a difficult task. Based on what is heard here, she will achieve her objective"

Hailing from Tucson, Clairdee is a singer with three previous albums to her credit. She is also a teacher, in which capacity she has taught vocal jazz at the University of California, Berkeley, and Diablo Valley College. Currently resident in the Bay Area, she teaches at the San Francisco Conservatory of Music and also with the San Francisco Symphony’s education department. She also sings with small groups and big bands in the Bay Area.

As is apparent from the title, this album is a tribute to Lena Horne. Interspersed among the songs are spoken passages, some drawn from Horne’s words, written and spoken in concert, others from Clairdee’s thoughts. Always relevant, these moments are brief, totalling less than five minutes.

Advertisement

The structure of the album follows that of Horne’s one-woman show in which she traced her career in New York and Hollywood, touching upon friendships and hardships encountered along the way. The friendships include that with Billy Strayhorn, who wrote Maybe for her. Among the hardships is her treatment when making films in which she had to appear in isolated scenes that could be cut from screenings in the Deep South and in which, anyway, she could not appear in equality with white actors.

In the early 1960s, Horne’s strength of character became apparent through her involvement with the Civil Rights movement, a period reflected here with Stand Up, written for Clairdee by Marcus McLaurine and Keva Singletary Youngblood. That excepted, all the songs are associated with or reflect upon Horne. Especially notable is another of Strayhorn’s, Something To Live For, which has an excellent solo by violinist Regina Carter. There is also a moving performance of Sometimes I Feel Like A Motherless Child, with Clairdee accompanied only by pianist Jon Herbst.

It appears that with this album, Clairdee is moving toward the creation of a full-length show tracing Horne’s life. This prompts a personal note as back in the early 1980s I was fortunate enough to attend Lena Horne’s one-woman show. It proved to be an extraordinary and memorable musical evening. That being so, Clairdee has set herself a difficult task. Based on what is heard here, she will achieve her objective.

Hear/buy Clairdee: A Love Letter To Lena at clairdee.com

Discography
Old Devil Moon; Home (spoken); I Got A Name; Maybe; Hollywood (spoken); Sometimes I Feel Like A Motherless Child; Seminar With Drinks (spoken); I Want To Be Happy; Soul Mates (spoken); Something To Live For; I’m Free (spoken); Believe In Yourself; The Movement (spoken); Stand Up (36.53)
Clairdee (v); Jon Herbst (p, kyb); John Hoy (g); Ron Belcher (b); Deszon Claiborne (d) and others. Kensington, California. c. 2019.
Declare Music DM 3427

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Nick Robinson: Lost Garden

Guitarist Nick Robinson’s musical life began as a member of the Polydor-signed rock group Typhoon Saturday (née Red Zoo) and continued with post-punk bands...
Advertisement

Obituary: Denise Perrier

Despite extensive tours and residencies internationally, including Europe, South America, Japan, Russia and Australia, Denise Perrier remained best known in the Bay Area of...
Advertisement

Tina Brooks: the waiting game

The names of top jazz soloists that never made the big time would fill a couple of books. Tina Brooks was just one of...
Advertisement

Art Rebels: Race, Class And Gender In The Art Of Miles Davis & Martin Scorsese

Aside from the obvious conclusion that the musician and filmmaker are singularly important creators in their fields, probably the one area where they truly...
Advertisement

Oscar Peterson: Black + White

Film tribute to the pianist has valuable footage of OP and testimony from other musicians but doesn't convey his real significance
Advertisement

JJ 11/62: Miles Davis – At Carnegie Hall

Sixty years ago Gerald Lascelles thought that despite stodgy sounding chorded passages Davis and Evans were productive and provocative
"It appears that Clairdee is moving toward the creation of a full-length show tracing Horne’s life. That being so, she has set herself a difficult task. Based on what is heard here, she will achieve her objective"Clairdee: A Love Letter To Lena