Gil Evans has become an important figure in jazz, partly by virtue of an important work he has done with Miles Davis, but equally for his overall contribution as an arranger and accompanying group to artists of the calibre of Benny Goodman and Gerry Mulligan. He is respected in the States for his open-minded approach to a problem which is not new, but which has become very much bogged down by tradition.
For a man who grew up in California Evans is remarkably uninfluenced by the Kenton school and its dangerous tributaries. He has picked his soloists with infinite care, and moulded round their work the music which you can hear. It seems to have the same poetic, slightly moody touch which embraces much of Ellington’s, contemporary writing, although not blessed with the same originality.
The faults lie in his inability to finalise so many of his passages; they peter out in anti-climax or oblivion, where the jazz medium demands climax as the inspiration for the next move. His voicing is skilful and ably scored with jazz feeling.
His soloists, notably Cannonball Adderley and Frank Rehak, contribute to the overall effect, but I am left with few outstanding impressions of their work. A seductive “Willow Tree” and a madly moody “Midnight” are offset by some fine brass work in “Struttin'” and “Bird Feathers”. Perhaps the best interplay of the assembled masses is on Gillespie’s “Manteca”.
One cannot ignore this music, so long as it does not become stereotyped. With Gil at the helm, I doubt that it ever will.
(a) St. Louis Blues; (a) King Porter Stomp; (b) Willow Tree; (b) Struttin’ With Some Barbecue (17¾ min.)—(a) Lester Leaps In; (c) ’Round About Midnight; (c) Manteca; (c) Bird Feathers (20½ min.)
(a) Julian “Cannonball” Adderley (alt): Frank Rehak (tbn); John Coles (tpt); Chuck Wayne (g); Gil Evans (p); Ernie Royal, Lou Mucci (tpt); Joe Bennett (tbn); Tommy Mitchell (bs/tbn); Harvey Phillips (tu); Julius Watkins (fr-h); Gerald Sanfino (bs-clt, pic. f); Paul Chambers (bs); Art Blakey (d).
(b) as (a) but Philly Joe Jones (d) replaces Blakey.
(c) as (a) Phil Bodner replaces Sanfino, John Barber (tu) replaces Phillips. Clyde Reasinger (tpt) replaces Ernie Royal. New York, 9/4/58, 2/5/58, 2175/58, 26/5/58.
Vogue LAE 12173. 12in LP. 36s. 5½d