Advertisement
Advertisement

JJ 07/70: Nucleus at The Phoenix

Fifty years ago Pete Gamble thought Nucleus in general one of the better fusions of jazz and the "basic rhythm of rock" but not so much on this particular night. First published in Jazz Journal July 1970

Ian Carr’s Nucleus represents one of the better attempts to fuse jazz with the basic rhythm of rock. For this gig at The Phoenix, one not only heard the group at their best, but also, unfortunately, at their worst. The group’s line-up consists of Carr (trumpet & flugelhorn), John Taylor (electric piano), Chris Spedding (guitar), Jeff Clyne (bass guitar) and John Marshall (drums). Art Themen (tenor), subbed for the absent Brian Smith.

As one might expect Carr is the group’s out­standing voice, and he played three or four really excellent solos; one muted offering proved to be particularly beautiful. However, with the high standards of musicianship set by the trumpeter, the group needed a second authori­tative soloist, which they obviously lacked.

- Advertisement -

John Taylor was strangely subdued even allowing for the restrictions laid down by the rock beat, and Chris Spedding’s front-line outings were nothing short of disastrous; however his bottle­neck work was thankfully down to a minimum. Clyne and Marshall seemed particularly at home within this framework, even if at times the rhythm did feel a little heavy.

In short, a group worth a listen if you dig Ian Carr, and if you approach contemporary jazz with an open mind.

Latest features

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

John Coltrane: The 1961 Newport Set

What could have been great art is dogged by amateurish recorded sound, seemingly taken from auditorium speakers
Advertisement

Obituary: Harold Mabern

Greatly admired and much in demand by his contemporaries, the pianist Harold Mabern was a witty, affable and articulate individual. On a memorable evening...
Advertisement

Strings reattached

In jazz history there seldom appears to be any middle ground for the violin. Fans either love it or hate it. Almost from the...
Advertisement

Art Rebels: Race, Class And Gender In The Art Of Miles Davis & Martin Scorsese

Aside from the obvious conclusion that the musician and filmmaker are singularly important creators in their fields, probably the one area where they truly...
Advertisement

City Of A Million Dreams

The potent collision of African and European style in New Orleans led to jazz and informs the music of the city's famous funeral processions
Advertisement

JJ 02/95: Deirdre Cartwright Group – Debut

Thirty years ago David Lands thought the guitarist's mix of fusion, Latin and jazz with a band including Louise Elliot, Steve Lodder and Alison Rayner made for an impressive solo debut